Alan Bullard

This is a jubilant arrangement of a four-part round by W. A. Mozart, with choral imitation of pealing bells complementing the celebratory text. An English singing translation of the Latin text is prov...

Featuring melodic vocal lines, luscious harmonies, and rhythmic contrasts, this piece is suitable for weddings and many other occasions.

This original suite, written for the Warwickshire Youth Choir, represents an extended concert item at the centre of the Emerging Voices series. It sets anonymous instructions found in packaging to gen...

This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three c...

This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three c...

A riotous and boisterous burst of joy for SATB and piano. This carol is rhythmic and jazzy and is propelled forward by an infectious and insistent choral refrain, with a lively piano accompaniment add...

For SATB and piano or organ, with optional flute or treble recorder. This is a moving and very original work, ideal for carol service or concert. The addition of the flute (or treble recorder) adds a...

For SATB and optional percussion (tambourine, small drum, hand-claps, or anything suitable). This lively setting of a traditional 19th-century English text (interspersed with a Latin refrain) recaptur...

An exuberant, processional anthem celebrating Christ's entry into Jerusalem, ideally suited for Palm Sunday. It is accessible and catchy, with a strong tune and rhythmic accompaniment but not difficul...

For SATB and piano or organ. A haunting and evocative piece, this short anthem is based on a traditional Gaelic prayer of remembrance. Uncluttered harmony and a simple, gentle melody colour this memor...

This is a jubilant arrangement of a four-part round by W. A. Mozart, with choral imitation of pealing bells complementing the celebratory text. An English singing translation of the Latin text is prov...

This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three c...

This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three c...

This is a simple and elegant miniature in characteristic Skempton style, with graceful choral homophony, seamlessly fluctuating time signatures, and hypnotic, meandering harmonies. The text, by Willia...

This heart-warming setting of a familiar text includes all the hallmarks of a Bullard carol. Through subtle time-signature changes, a gentle modulation, elegant contrapuntal lines, and an uplifting fi...

A folk-song arrangement from the cantata Folk Songs of the Four Seasons.

This celebratory festive anthem captures the joy of Easter with a strong rising tune and dancing, rhythmic 'alleluias'. The instrumental parts are available on hire.

No. 1 of McDowall's 'Three Latin Motets', Ave Regina is a gentle and lyrical setting of the text 'Hail, Queen of the Heavens'. The calm and memorable opening phrase is hinted at in passages of more in...

The Marian motet Alma Redemptoris Mater is one of two settings of this text composed by Josquin and possibly one of his earlier compositions. This setting is based upon the corresponding chant and ope...

This concerto is an 18-minute single span of music, although it is broken down into three sections - fast, slow, faster. The musical language explores folk-derived materials and performing practices.

By The Way, I Love You is a fun a cappella number that sets words by Garth Bardsley in a big band style. Swing and rhythmic groove is vital to the performance, with the catchy melody held first by the...

Using as its basis William Blake's eponymous poem from Songs of Innocence and Experience, this work is largely celebratory in tone and employs a range of techniques and textures as a means of expressi...

Let all the world in ev'ry corner sing is an upbeat setting of a hymn text by seventeenth-century English poet George Herbert. Chilcott uses irregular metres, syncopation, and dancing melodic shapes t...