Anton Webern

Weberns einzige a cappella-Komposition entstand 1908. Die Uraufführung kam erst 1927 durch einen Laienchor im steirischen Fürstenfeld zustande. Die erste George-Vertonung Weberns ist von kanonischer S...

Composer and choir master Clytus Gottwald comments on his transcription of Anton Webern’s Im Sommerwind (1904) as follows: 'First of all I had to eliminate all those parts of the source material that...

Anton Webern's late instrumental works have always been admired as examples of a systematic, innovative application of twelve-tone technique. From our perspective today, however, the reliance on older...

Matthew Shaftel has assembled a well-researched critical edition of select Webern piano works, which together speak volumes of the composer's compositional growth over his early years. The Satz and Ro...

After Alban Berg, Anton Webern is the second composer of the Viennese School to be included in the Henle catalog. Webern's music is known for its extreme brevity and strict organization. The performan...

The (...) Three Little Pieces for cello and piano op. 11 follow the pattern set by op. 7, except that the second piece is very short (a peremptory duo in the manner of the abandoned sonata), the third...

Partitur - bearbeitet von Anton Webern - Partitur zugleich Klavierstimme

Stimmensatz - Stimmensatz ohne Klavierstimme

From Webern's early period (pre-opus one), this tone poem is inspired by a poem by the German novelist-philosopher Bruno Willle (1860-1928), famous as a liberal and progressive thinker. Written in 190...

für Orchester gesetzt von Anton Webern, Besetzung: Flöte, Oboe, Englisch Horn, Klarinette in B, Basklarinette in B, Fagott, Horn in F, Trompete in C, Posaune, Pauke, Violine 1, Violine 2 Viola, Violon...

3 Spielpartituren