Antonín Dvořák

Dvorák composed his Terzetto op. 74 in 1887 as the result of a spontaneous desire to write some domestic music. Inspired by neighbourhood violin lessons, he wrote these four little movements for two v...

Although Dvorak's stay in America (1892-95) was very successful, the composer suffered a good deal from homesickness. He had begun the string quartet in A flat major in New York, but continued with it...

Composed in autumn of 1881, Opus 61 is the last of Dvořák's 'middle' quartets by chronology for which Beethoven and Schubert served as the most significant models. Beethoven's influence, from thematic...

(parts only unless otherwise specified)

Immerse yourself in the rich sonic world of chamber music with the masterly String Quintet in E-Flat Major, Op. 97. Scored for the resonant ensemble of two violins, two violas, and cello, this piece u...

Immerse yourself in the rich sonic world of chamber music with the renowned String Quintet in E-Flat Major, Op. 97. Scored for the sonorous ensemble of two violins, two violas, and cello, this remarka...

When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the 'Slavonic' style, quickly ach...

When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the 'Slavonic' style, quickly ach...