Antonín Dvořák

The edition is part of the ABRSM syllabus (grade 7)

Three of this opus's original four for violin and piano are presented here, edited for flute and piano: Allegro moderato, Larghetto, and Allegro appassionato.

Dvorak komponierte nie ein Kammermusikwerk für Flöte. Frank Michael orientierte sich an den beiden Originalversionen und übernahm für seine Flötenfassung die jeweils günstigere Version.

Dvorák composed the cycle 'Moravian Duets' for two female voices with piano accompaniment at the request of the Prague wholesale merchant Jan Neff in 1876. This was a turning point in the career of th...

From the Largo of the Symphony From the New World Op. 95

One of Dvorak's most famous works, this beautiful arrangement allows the oboist to play the familiar excerpt on the English Horn, and then switch over to the oboe for the middle section of the movemen...

> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...

> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...

Early piano quintet In 1887 Antonín Dvorák revised several of the works he had composed in the 1860s and 1870s, most of which he then published for the first time. In this context he asked the music c...

Das Opus 81 gehört seit Langem zu den international meistgespielten Kammermusikwerken überhaupt. Die vorliegende Ausgabe basiert auf der 'Gesamtausgabe der Werke Antonín Dvoráks', das neue, ausführlic...

> New detailed Foreword (Eng/Cz/Ger) by Dvorák scholar David R. Beveridge<br>> Critical Commentary (Eng) by the editor Robin Tait<br><br>Dvorák’s Piano Quartet in D major, thou...

> Standard work from the chamber music repertoire > Newly engraved violoncello part > New Foreword by David R. Beveridge (Eng/Cz/Ger) Dvorák's 'Trio in B-flat major' op. 21, the first of his four work...

With hardly any other chamber music work did Dvorák occupy himself as long and intensively as with this trio. After his first successes with works inspired by Czech folk music, namely the popular Slav...

When Dvořák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and 'Harmoniemusik' wind ensembles was already long gone. He was probably inspir...

For several years following composition of his first piano quartet, Dvořák's publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summe...