Antonín Dvořák

> First Urtext edition of the original piano reduction<br>> Variants in the solo part rendered as ossia passages<br>> Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Crit...

Everyone remembers the tune by its subtitle, 'Going Home.' This lush song is creatively scored with your intermediate orchestra in mind. Although there appear to be some exposed woodwind passages in t...

Another in the series of adaptations of the masters by Merle Isaac, himself a master of orchestration for young players. This memorable music is known by concertgoers the world over and is a welcome a...

New edition based on original sources by Reinhold Kubik

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Level III - Marimba or Xylophone and Piano.

Das Streichsextett A-Dur fällt in die Zeit des einsetzenden Weltruhmes Antonín Dvoráks. Es entstand 1878 in seiner sogenannten slawischen Periode, in der der Komponist sein Schaffen gezielt mit Elemen...

When Dvořák suddenly became internationally famous in 1878 with his Slavonic Dances, he received, among other things, a request for a new string quartet from Jean Becker, the first violinist of the re...

In autumn 1895, after returning from New York once and for all, Dvorák took up his former position as teacher at the Prague Conservatory. This clearly had an inspiring impact on him because in the spa...

Dvorák composed his Terzetto op. 74 in 1887 as the result of a spontaneous desire to write some domestic music. Inspired by neighbourhood violin lessons, he wrote these four little movements for two v...

Although Dvorak's stay in America (1892-95) was very successful, the composer suffered a good deal from homesickness. He had begun the string quartet in A flat major in New York, but continued with it...

Composed in autumn of 1881, Opus 61 is the last of Dvořák's 'middle' quartets by chronology for which Beethoven and Schubert served as the most significant models. Beethoven's influence, from thematic...

(parts only unless otherwise specified)

(parts only unless otherwise specified)