Antonio Lotti

Edited by Walter Ehret. Arranged by Walter Ehret. Female chorus. For SSA, Piano Rehearsal. Early Choral Masters. Choral. Piano/Vocal Score. 8 pages.

Pur dicesti, o bocca bella composed by Antonio Lotti arranged by Heidi Pegler for piano and low voice in digital sheet music format. The song has an accompanying text page which includes background in...

Pur dicesti, o bocca bella composed by Antonio Lotti arranged by Heidi Pegler for piano and high voice in digital sheet music format. The song has an accompanying text page which includes background i...

Pur dicesti, o bocca bella composed by Antonio Lotti arranged by Heidi Pegler for piano and medium voice in digital sheet music format. The song has an accompanying text page which includes background...

Zimmermann, Leipzig issued an edition of this triosonata as early as 1927 - even though it had been transposed to G major in order to achieve a more brilliant sound. Martin Nitz based his new edition...

Antonio Lotti originally composed this Miserere Mei around 1730, scored for four voices. Frequently only performed as the opening 27 measures, the entire work has been arranged here for low flute quar...

Beautifully austere late Italian Renaissance music for trombone trio or choir.

The classic Biblical text Surely He has borne our griefs was set by Antonio Lotti. In this edition, Thomas Juneau provides a new English translation and other editorial helps.

From the final portion from the Gloria of Lotti's Studentenmesse, this is a beautiful example of his use of imitation and makes an excellent choice for contest or festival. Discovery Level 2. Availabl...

Arrangment for SATB Choir A Cappella by R. Baldwin.

Einer über 1000 Jahre alten Tradition folgend verspricht sich die Stadt Venedig dem adriatischen Meer jedes Jahr am Himmelfahrtstag (venezianisch Sensa) aufs Neue als Braut. Die symbolische Zeremonie...

Lotti / ed. Kjelson

Lotti / ed. Kjelson

For SATB, a cappella

Agnus Dei - S.A.T.B., a cappella

This anthem is the final portion of a 'Gloria' taken from one of Lotti's masses, and is a lovely example of his use of imitation. It's scored a cappella, but instruments could easily and effectively d...