Arthur Bliss

Una recopilación de canciones tempranas y descatalogadas desde hace tiempo, publicada en colaboración con el Bliss Trust para conmemorar el 50.º aniversario de la muerte del compositor. Prólogo de Gil...

Una recopilación de obras tempranas, publicada en colaboración con el Bliss Trust con motivo del 50.º aniversario de la muerte del compositor. Prólogo de Giles Easterbrook, un defensor incondicional d...

Primera publicación de un movimiento de sonata que el compositor no catalogó, pero que conservó durante casi 60 años. Editado por Rupert Marshall-Luck y publicado en colaboración con el Bliss Trust co...

Studienpartitur der Neufassung 1965

Parts for Arthur Bliss's Quintet For Clarinet And String Quartet. Duration 26 minutes. Composed 1932.

Arthur Bliss's first orchestral compositions, his studies for Full Orchestra, are believed to have been composed in 1920. The first performance in 1921 was conducted by Arthur Bliss. Orchestration: 2...

Arthur Bliss, Pastoral for Clarinet and Piano was composed around 1916. It is one of two pieces for clarinet and piano, the other is unpublished. 'Pastoral'is composed for either clarinet in A or Bfla...

March From The London Film Production 'Things To Come' composed by Arthur Bliss, arranged for piano solo.

The second of Two Ballads by Arthur Bliss - Flowers In The Valley was commissioned by the Isle Of Man Arts Council for the school children of the island. This accessible and enchanting setting of a te...

Written in 1927.

For flute, oboe, violin, viola and cello.

Instrumentation: Oboe, Two Violins, Viola and Violoncello

The Beatitudes' is a cantata by Arthur Bliss, scored for Soprano and Tenor soloists, SATB Chorus and Orchestra. This is the full score, a full performance of which lasts around 50 minutes. The work w...

Texto original de un movimiento de sonata que el compositor no catalogó, pero que conservó durante casi 60 años. Editado por Rupert Marshall-Luck y publicado en colaboración con el Bliss Trust con mot...

Overture Edinburgh was composed in 1952. There are certain elements in this work that bind it to the city of Edinburgh. The opening carries the rhythm of the word 'Edinburgh' itself. This rhythm occur...