Arvo Pärt

Arvo Pärt escribió la oración de paz Da pacem Domine para cumplir un encargo de Jordi Savall. Comenzó a componer esta antífona gregoriana del siglo IX dos días después de los atentados de Madrid del 1...

Encargada por la Louth Contempory Music Society, The Deer's Cry de Pärt se estrenó mundialmente en febrero de 2008 en Louth, Irlanda, interpretada por el State Choir Latvija y dirigida por Fergus Shei...

This concertina piece was written for the 1973 Leida Laius film Ukuaru, in which Aksel (Lembit Ulfsak) enchants Minna (Elle Kull) by playing the waltz, which then becomes a powerful and lasting artist...

Pärt's emotionally-charged Bogoróditse Djévo, is a vibrant tribute to the Virgin Mary which is sung in the traditional Orthodox Church Slavic language and alludes to traditional Orthodox compositional...

El Magnificat es una de las obras más serenas de Pärt, y se ha hecho merecidamente popular entre los coros de todo el mundo. La música expresa a la perfección la exaltada y tierna alegría de la Virgen...

In which Was the Son of... for mixed a cappella-choir Arvo Pärt uses the Genealogy of Jesus in accordance with the Gospel of Luke. (St Luke 3, 23 -28). While the Magnificat from Luke Chapter I - the S...

Inspired by his visit to Fátima, scene of a famous Marian Apparition in 1917, Arvo Pärt wrote a small choral piece based on a passage from Psalm 8. 3 'Out of the mouth of babes and sucklings thou hast...

These Two Lullabies were composed in 2002 by Arvo Pärt. The first, a Christmas Lullaby, is set for one singing voice and piano, the second, an Estonian Lullaby requires two female voices and piano. Bo...

Arvo Pärt is a composer best known for his 'tintinnabuli' compositions. It is a lesser-known fact that in his earlier years as a composer, he also wrote children's songs and piano pieces along with mu...

The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and p...

Composed in 1990, and revised in 1991, for SATB Choir or soloists with organ accompaniment, Pärt's setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also...

Arvo Pärt's Mozart-Adagio (1992) for violin, cello and piano was composed for the Kalichstein-Laredo-Robinson Trio on commission by the Helsinki Festival, where it was premiered. The piece is in memor...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Daniel Hop...

The basic musical material of Pari intervallo by Arvo Pärt consists of two parts which move exactly parallel to each other, so that the interval between them is always the same- hence the title. Pari...

These four appealing pieces, written for a children’s theatre, are as humorous as they are poetic. For the first two dances Pärt took stories from the brothers Grimm: Puss in Boots and Little Red Ridi...

`Spiegel im Spiegel` is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel illustrates his creative principles: above a permanent flow...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

The sheet music of Arvo Pärts 'Spiegel im Spiegel' for clarinet and piano illustrates his creative principles: above a permanent flow of chords on the piano, the clarinet unfolds acantilena in long no...

Arvo Pärt's Spiegel im Spiegel for violin and piano, written in 1978, illustrates his creative principles: above a permanent flow of chords on the piano, the cello unfolds acantilena in long note valu...

It takes 75 minutes to relate the story of the Passion according to the Latin of St John's Gospel; Pärt uses solo singers for the roles of Pilate and Christ, and a group of four soloists (soprano, cou...

This piece for female choir a cappella is Pärt's musical interpretation of Psalm 122 (121): I rejoiced that they said to me, 'Let us go to the house of Yahweh.' At last our feet are standing at your g...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...