Camille Saint-Saëns

Las «Bacchanales» de la ópera «Sansón y Dalila» se cuentan entre las obras orquestales más conocidas de Camille Saint-Saëns. Al comienzo del tercer acto, describe la fastuosa fiesta de los filisteos e...

Las «Bacchanales» de la ópera «Sansón y Dalila» se cuentan entre las obras orquestales más conocidas de Camille Saint-Saëns. Al comienzo del tercer acto, describe la fastuosa fiesta de los filisteos e...

Las «Bacchanales» de la ópera «Sansón y Dalila» se cuentan entre las obras orquestales más conocidas de Camille Saint-Saëns. Al comienzo del tercer acto, describe la fastuosa fiesta de los filisteos e...

Las «Bacchanales» de la ópera «Sansón y Dalila» se cuentan entre las obras orquestales más conocidas de Camille Saint-Saëns. Al comienzo del tercer acto, describe la fastuosa fiesta de los filisteos e...

The works of the gifted and prolific French composer embody many of the qualities considered essentially French, above all, clarity, elegance and order. These pieces exhibit skillful workmanship, clea...

This Camille Saint-Saens transcription will definitely be a hit with grade 4 ensembles. Excellent for concert or contest programming, the energy and delightful contrast make them terrific choices for...

One of the most beautiful pieces of Romantic cello literature - edited and fingered by the well-known cellist Prof. Maria Kliegel.

Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...

When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...

The cellist's favorite encore; The Swan; is arranged with guitar accompaniment by master guitarist David Leisner; for inclusion on the CD Arpeggione; recorded with the brilliant cellist Zuill Bailey....

Of all the solo and concertante works in the violin repertoire, few are as beloved by musicians as Saint-Saëns' INTRODUCTION AND RONDO CAPRICCIOSO; even as a young student, Jasmine Choi dreamed of per...

In November 1885 Camille Saint-Saëns set out on a concert tour with the Cuban violinist Diaz Albertini which led him to the north of France on his way to Germany. On a cold and damp evening, the crack...

'Nobody knows the music of the whole world better than Monsieur Saint-Saëns', Claude Debussy praised his fellow composer, and there are only few who left such a comprehensive oeuvre covering all genre...

'Nobody knows the music of the whole world better than Monsieur Saint-Saëns', Claude Debussy praised his fellow composer, and there are only few who left such a comprehensive oeuvre covering all genre...

Originally composed as a chanson for voice and piano and than transcribed for orchestra, the Danse Macabre Op. 40 is a short symphonic poem composed by Camille Saint-Saëns in 1874. Among the various p...

A suite of seven improvisations by Saint-Saens for solo Organ, dating from 1917.

Camille Saint-Saëns compuso en 1858 su Oratorio de Noël para cinco solos vocales, coro mixto, cuerdas, órgano y arpa. La obra, cantada en latín, se basa en textos del Antiguo y Nuevo Testamento, los E...

This well-crafted and accessible arrangement of Camille Saint-SaÙns' classic Carnival of the Animals is sure to please more than just conductors of youth wind bands. James Curnow's years of arranging...