Camille Saint-Saëns

Neben dem Widmungsträger Pablo de Sarasate, nahmen viele namhafte Geiger wie Eugène Ysaye und später Jacques Thibaud das Konzertstück, das Camille Saint-Saëns 1863 komponiert hatte, in ihr Repertoire...

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugène Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saëns’ concert piece composed in 1...

score and study score with the text by Loriot

Ein wilder Totentanz von Mitternacht bis zum ersten Hahnenschrei.

Großformat (A4 hoch)

Camille Saint-Saëns was always trying to expand the rather sparse repertoire for chamber music for wind instruments, something that is not least also shown by his three late wind sonatas for oboe, cla...

Der musikalische Salon Vol. 87 Beliebte Piècen, für Streichquartett (mit Kontrabass ad lib.) eingerichtet von Wolfgang Birtel Partitur und 5 Stimmen

Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to prod...

La Muse et le poète op. 132 ocupa un lugar especial en la obra de Camille Saint-Saëns. En otoño de 1909, el compositor comunicó al violonchelista Joseph Hollmann los primeros esbozos para un dúo (para...

The Symphony No. 3 in C minor, Op. 78, was completed by Camille Saint-Saëns in 1886 at what was probably the artistic peak of his career. It is also popularly known as the Organ Symphony, since two se...

The Symphony No. 3 in C minor, Op. 78, was completed by Camille Saint-Saëns in 1886 at what was probably the artistic peak of his career. It is also popularly known as the Organ Symphony, since two se...