Carl Philipp Emanuel Bach

Emmerich Bünemann hat hier zwei Märsche und zwei Polonaisen aus dem 'Klavierbüchlein für Anna Magdalena Bach' für Streicher instrumentiert. Sie sind für den Anfänger leichter ausführbar als die Origin...

Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...

Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...

Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...

Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...

Cemb, 2 Vl, Va, Vc/Cb

Cemb, 2 Vl, Va, Vc/Cb

Cemb, 2 Vl, Va, Vc/Cb

Cemb, 2 Vl, Va, Vc/Cb

Stimmensatz: 4x V1, 4x V2, 3x VA, 4x VC (KB), 1x CEMB

I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings.Retaining the note values of the original with e...

I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings.Retaining the note values of the original with e...