Carlos Surinach

For flute, oboe, clarinet, viola, cello and harp.

Carlos Surinach's Flamenco Meditations for Voice and Piano. On five 'Sonnets from the Portuguese' by Elizabeth Barrett Browning Dedicated to Hilde Wittgenstein. 'The heritageofflamenco is one of Spai...

Contents: Contradanza (Torroba) - Farruca (Andalusian) - Intermezzo (Granados) - Jota Levantina (Torroba) - Petenera (Traditional) - Sandunga (Mexican) - Sonata in A Minor (Soler) - Song and Dance (Su...

Acrobats of God' is a modern dance work, music by Carlos Surinach. First produced in New York in 1960. Since the work is highly pianistic, some of the pieces have been extracted for the piano.

For violin and orchestra (piano reduction).

Carlos Surinach's Concerto for Piano and Orchestra. Study score. This work was first performed by the Minnesota Orchestra on November 13, 1974 with Stanislaw Skrowaczewski conducting and Aliciade Lar...

Carlos Surinach's Las Trompetas De Los Serafines for Orchestra. The world premiere of Las Trompetas de los Serafines was given by the Muncie Symphony Orchestra on December 5, 1973, with RobertHargrea...

With 2 percussionists.

Grades 4-5

Carlos Surinach's Ritmo Jondo (Flamenco) for Concert Band. The three flamenco rhythms, Ritmo Jondo, were first performed in a concert of Percussion music at the Museum of ModernArt, New York on May 5...

Grades 4-5. Based on a Fandango by Padre Antonio Soler.

Jota is from my ballet 'Suite Espagnole', which was first produced on October 6, 1970 at the Gran Teatro del Liceo Opera House of Barcelona. The choreography was by Jose de Udaeta, with sets by Riera...

Surinach's Concerto For String Orchestra was adopted by Val Caniparoli for the ballet Death of a Moth.

Carlos Surinach was a Catalan Spanish-born composer and conductor. He composed three ballet scores for the esteemed choreographer Martha Graham: 'Embattled Garden' (1958), 'Acrobats of God' (1960) and...

For Violin and Piano.

For violin and orchestra (piano reduction).

Contrasts loud and soft passages and highlights solo instruments (especially piccolo, oboe, horn, and percussion) against strings in a lively Hispanic-flavoured concert opener.

For chorus and orchestra.