Chaya Czernowin

«Fast Darkness III» es la última parte de la trilogía «Fast Darkness», 2020-2022. Compuesta en 2022, es una exploración virtuosa, salvaje y exuberante de 16 minutos de duración. Los gestos rápidos, tr...

En Adiantum Capillus-Veneris I, Chaya Czernowin crea un filigranesco laberinto cromático a partir de los principios y finales del ritmo de la canción. En su adaptación, Séverine Ballon se esfuerza por...

'Algae' transfers the structure of small-celled organisms, which nevertheless combine to form widely floating carpets, to the level of language and music. German-English shreds of words generate a neo...

In this piece, the voice and the breath play an equal role in executing the musical text, as the breath is (at times) independent from the voice and equal to it in an almost contrapuntal relationship....

In this piece, the voice and the breath play an equal role in executing the musical text, as the breath is (at times) independent from the voice and equal to it in an almost contrapuntal relationship....

In this piece, the voice and the breath play an equal role in executing the musical text, as the breath is (at times) independent from the voice and equal to it in an almost contrapuntal relationship....

Das kurze Konzertstück ist auf ein Motto von Gaston Bachelard komponiert: "obscure Vegetation: black flowers bloom in matter's darkness".

The original version for violin dates from 1981, thus being one of the early works by the Israeli composer who teaches at Harvard University. About 35 years later, in 2015, Chaya Czernowin arranged th...

Hace muchos años vi una escultura de Anish Kapoor: en ella había dos enormes orbes divididos por la mitad que colgaban de dos lados de la sala. Los orbes eran de un azul púrpura oscuro, tan oscuro que...

Knights of the strange is a work of music poetry, where a few words highlight the speculative/poetic connections between dreams, reality and reflection. The duo version is like an independent plant wh...

Anea is an invented name for a music-crystal modelled on an ionic crystal. It is a piece written in three independent and individual movements which can be played separately or together.Seed I and See...

In this work, the quartet becomes a single composite instrument. This instrument cannot play individual sounds but rather composite gestures, of which the initial impulse linked to the production of a...

This challenging slow duet for two bass clarinets in Bb combines expressive melodic writing, abrupt meter changes, and extreme dynamics that give this short composition an agitated and volatile charac...

The five short miniatures for two singers and five instruments were commissioned by the Miller Theatre at Columbia University in New York in 2014. The performers of the world premiere were the bariton...

In Adiantum Capillus-Veneris I öffnet Chaya Czernowin ein filigranes Klanglabyrinth aus der Spannung des Ein- und Ausatmens der Singstimme. Séverine Ballon versucht in ihrer Adaption, diesen Gestus un...

In this piece, the voice and the breath play an equal role in executing the musical text, as the breath is (at times) independent from the voice and equal to it in an almost contrapuntal relationship....

In this piece, the voice and the breath play an equal role in executing the musical text, as the breath is (at times) independent from the voice and equal to it in an almost contrapuntal relationship....

Das kurze Konzertstück ist auf ein Motto von Gaston Bachelard komponiert: "obscure Vegetation: black flowers bloom in matter's darkness".

What dance is this? Is it the dance coming from afar, its remnants too entangled to decipher, one which was brought by a gust of wind, as you stand alone and listen to a far away party in the night? O...

The original version for violin dates from 1981, thus being one of the early works by the Israeli composer who teaches at Harvard University. About 35 years later, Chaya Czernowin wrote the arrangemen...