Claudia Theis

These variations are among the most little-known works by Carl Maria von Weber. They are especially charming due to the harmonic ambiguity, primarily found in the piano accompaniment, that Weber weave...

When Weber offered the sonatas for violin and piano to the publisher André from Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as lar...

These variations are among the most little-known works by Carl Maria von Weber. They are especially charming due to the harmonic ambiguity, primarily found in the piano accompaniment, that Weber weave...

When Weber offered the sonatas for violin and piano to the publisher André von Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as larg...

When Weber offered the sonatas for violin and piano to the publisher André von Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as larg...

When Weber offered the sonatas for violin and piano to the publisher André from Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as lar...

Gesang, Basso continuo - Partitur; Gesamtausgabe V o k A l m u s i k - Singstimme(n) mit Instrumental-Begleitung.

Partitur; Gesamtausgabe Kammermusikwerke ohne Tasteninstrument (ohne Gitarre[n]) - Streich- und Holz-Blasinstrumente - Quintette für Streich- und Holz-Blasinstrumente.

Gesamtausgabe, Urtextausgabe (Leinen)

Carl Maria von Weber's fame rests mainly on 'Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain w...