Cynthia Dobrinski

Miss Dobrinski's arrangement of the 'Veni, Veni Emmanuel' is for 3 to 5-octaves and appropriate for the advent season or concert. Most effective with 5-octaves because of the chords in the bass clef.

Miss Dobrinski's knowledge of bells comes through loud and clear in this nocturne. Following the markings in the score results in a satisfying performance.

Madrid' & 'Azmon' are combined to create a festive arrangement for general use or an excellent offering for Easter. Beginning with a fanfare introduction, the piece states the 'Madrid' tune several ti...

Bass ringers enjoy this piece because they ring the melody on the second stanza. Rhythmically easy, the arrangement begins and end quietly but builds to a big climax just before the conclusion. Use as...

A delightful composition. Notes and rhythms are easy but dexterity is required in ringing.

A festive setting in keeping with the nature of the hymn. Several stanzas are presented in their entirety but many interludes and fanfares, in different keys, present fragments of the tune. Well worth...

A joyous outburst of praise using the tune associated with this title. Great use of bells in all octaves.

At last - a grand arrangement of the immortal 'Lord's Prayer' by Malotte! A welcome addition to handbell literature.

Allegro Brillante' is an original, sparkling composition in which one immediately feels the syncopated figure used throughout. The use of multiple ringing techniques adds interest and creates music wh...

An arrangement of 3 contrasted stanzas. Ends joyously and triumphantly. Fifth octave adds depth and brilliance.

Round out your Christmas program with this perennial favorite!

This arrangement of 'Greensleeves' begins slowly in a contemplative mood and picks up speed and excitement to the end. An interest effect is achieved with the LV technique in measure twenty-one follow...

A sensitive, gentle arrangement of an ageless tune! Optional flute scored on last page.

Interest is created with tempo and meter changes in this arrangement of the 'Ellacombe' tune. Trumpet part is on the back of the music.

At the Cross' is a piece of many moods, with a quiet beginning and bombastic ending surrounding a modal middle section. It undergoes several key changes, all flat keys (Eb Major and Gb Major), and is...

The 'Moody' melody (possibly known as 'Grace Greater Than Our Sin') is used sparingly in this arrangement of 'Amazing Grace. ' A violin is specified and fades in and out of the piece and adds characte...

An original handbell composition for 3-5 octaves.

The use of a lot of LV's create a harmonic richness adding depth and beauty to an old gospel tune.

Techniques emphasize the rhythm and complement the melody.

Inscribed by Charles Wesley as 'Hymn for Easter Day, ' this essential selection provides a summary of both the experience and meaning of Christ's resurrection. Arranger, Cynthia Dobrinski, offers seve...

Inscribed by Charles Wesley as 'Hymn for Easter Day, ' this essential selection provides a summary of both the experience and meaning of Christ's resurrection. Arranger, Cynthia Dobrinski, offers seve...

Utilizing a 16th Century hymn tune and the tenor aria from 'Messiah', this combination is awesome. The level of energy is elevated by the use of the hand drum and the flute. The pace is modified with...

The Christmas carol Away In A Manger is associated with two different tunes, both of which are used by arranger, Cynthia Dobrinski in her skillful setting for 3-6 octaves of handbells. The arrangement...