Dizzy Gillespie

Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone...

Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone...

Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone...

Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone...

Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone...

Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

One of the classic examples of the Afro-Cuban style in jazz, Manteca endures as a true standard. Available here in a version playable by young bands, Michael Sweeney carefully simplifies the complexit...

Michael Mossman takes Dizzy Gillespie's signature tune into new territory, with a touch of 'mambo' in this distinctive arrangement. A perfect way to showcase a trumpet soloist, the full ensemble also...