Douglas E. Wagner

An arrangement of 'Lyra Davidica' for 3-octaves, but all ringers are busy if the 4th and 5th-octaves are used.

A delightful dance written for 2, 3 or 4 octaves of bells - enhances and provides diversity for any program. Its liveliness is guaranteed with the use of a bit of plucking.

The splendid Welsh hymn 'Immortal, Invisible, God Only Wise' is presented here with a healthy portion of energy and vigor in this 3-octave arrangement by the talented Douglas Wagner. There are no bell...

A four-star arrangement of a perennial Christmas favorite.

Using one of the greatest hymn tunes produced in the 20th Century Douglas Wagner has set here for 3-5 octaves an impressive setting of the hymn For All The Saints. Mr. Wagner chose to use for his titl...

This 'Deep River' is a new arrangement of the old spiritual using some 'different' harmonies. A little bit of syncopation and off-beat ringing adds interest, and multiple crescendos/decrescendos deman...

A fine arrangement of this lovely old tune from the 'Southern Harmony'. Mallets are used.

Basically a 3-octave piece with five optional notes from the 4th-octave Interesting, rich harmonies give a meditative feeling. Dynamic control is important.

Doug Wagner uses in this medley: 'Give My Regards to Broadway: Mary's a Grand Old Name: The Yankee Doodle Boy & You're a Grand Old Flag. ' Sure to be a winner for that next concert.

A fine arrangement which can be rung with 3-octaves.

A festive piece as versatile as your imagination! Use many combinations of bells, organ and brass. The bell part is easy and can be rung as a processional. Brass ensemble consists of three trumpets, t...

A collection of 5 pieces for 5 ringers with each ringer's part printed separately. A full score for the director is also included. These are also available separately for handbell choir MHP1408.

The old gospel hymn comes alive with this arrangement by Doug Wagner as he uses rich harmonies and fanfare figures capitalizing on the dotted 8th and 16th figure.

A quiet arrangement of three stanzas of a traditional hymn tune. Stanza one is characterized by movement, Stanza two is chordal and in stanza three the melody is below a moving descant.