Edward Elgar

Orchestration: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Cymbals, Bass drum, Triangle, Tambourine, G...

Orchestration: 2 Flutes (2nd doubles piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, Contra bassoon, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba Timpani, Percussion (Snare drum, Bass drum & Cy...

Orchestration: 2 Flutes (2nd doubles piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba Timpani, Percussion (5 players: Tambourine, Snare Drum, Triangle...

The first four 'Pomp & Circumstance Marches' were composed between 1901 and 1907, but this, the fifth, was not completed until 1930 although Elgar had made some sketches for it much earlier. The Ordna...

In October of 1898, Edward Elgar returned home after a long day of teaching, ate dinner, then sat down at the piano to doodle on the keys. Elgar described what followed: “In a little while, soothed an...

In October of 1898, Edward Elgar returned home after a long day of teaching, ate dinner, then sat down at the piano to doodle on the keys. Elgar described what followed: “In a little while, soothed an...

Edward Elgar (1857-1934) escribió la breve pieza orquestal titulada Sevillaña (Scène Espagnole), Op. 7 en 1884, cuando el compositor tenía veintiséis años. 1884 fue una época de dificultades personale...

Edward Elgar (1857-1934) escribió la breve pieza orquestal titulada Sevillaña (Scène Espagnole), Op. 7 en 1884, cuando el compositor tenía veintiséis años. 1884 fue una época de dificultades personale...

La Sinfonía n.º 1 en la bemol, Op. 55, de Edward Elgar (1857-1934) se terminó en 1908, aunque fue una obra que se gestó durante una década. Originalmente propuesta ya en 1898 como una obra programátic...

La Sinfonía n.º 1 en la bemol, Op. 55, de Edward Elgar (1857-1934) se terminó en 1908, aunque fue una obra que se gestó durante una década. Originalmente propuesta ya en 1898 como una obra programátic...

Chanson de Matin (Canción matutina), Op. 15, nº 2, fue escrita originalmente para violín y piano y probablemente se terminó no más tarde de 1890. La obra tiene una pieza complementaria llamada Chanson...

Chanson de Matin (Canción matutina), Op. 15, nº 2, fue escrita originalmente para violín y piano y probablemente se terminó no más tarde de 1890. La obra tiene una pieza complementaria llamada Chanson...

The Wand of Youth suites are based on materials Sir Edward Elgar (1857-1934) wrote as a boy for use in a play by the younger members of his family. The composer also used materials he composed while e...

The Wand of Youth suites are based on materials Sir Edward Elgar (1857-1934) wrote as a boy for use in a play by the younger members of his family. The composer also used materials he composed while e...

The Wand of Youth suites are based on materials Sir Edward Elgar (1857-1934) wrote as a boy for use in a play by the younger members of his family. The composer also used materials he composed while e...

The Wand of Youth suites are based on materials Sir Edward Elgar (1857-1934) wrote as a boy for use in a play by the younger members of his family. The composer also used materials he composed while e...

El Concierto para violín en si menor, op. 61, de Edward Elgar (1857-1934), una de sus obras más largas y la última en alcanzar una popularidad inmediata, siempre ha figurado en los programas de concie...

Sir Edward Elgar's Symphony No. 2 in E-flat Major, Op. 63, was composed in 1911, with the premiere taking place at the London Musical Festival by the Queen's Hall Orchestra, Elgar conducting, on May 2...

In October of 1898, Edward Elgar returned home after a long day of teaching, ate dinner, then sat down at the piano to doodle on the keys. Elgar described what followed: “In a little while, soothed an...

In October of 1898, Edward Elgar returned home after a long day of teaching, ate dinner, then sat down at the piano to doodle on the keys. Elgar described what followed: “In a little while, soothed an...

Edward Elgar (1857-1934) began work on The Music Makers, Op. 69, a work for solo contralto, mixed chorus, and orchestra, in 1903 and completing it in 1912. It sets the entirety of Ode by Arthur O'Shau...

Edward Elgar (1857-1934) began work on The Music Makers, Op. 69, a work for solo contralto, mixed chorus, and orchestra, in 1903 and completing it in 1912. It sets the entirety of Ode by Arthur O'Shau...

In October of 1898, Edward Elgar returned home after a long day of teaching, ate dinner, then sat down at the piano to doodle on the keys. Elgar described what followed: "In a little while, sooth...

A beautifully-presented cloth-bound volume of Elgar's First Symphony Op. 55.