Edward Elgar

Anthem for SATB Choir.

Elgar's setting of a text by HW Longfellow for mixed voices. Composed in 1891.

Composed in 1903 for the Morecambe Festival, this is an impassioned, yearning setting of a Shelley text, as the poet begs the wind to inspire his efforts in order to bring his message to the world

SSAATTBB.

Elgar's pastorale Serenade Op. 73 No. 2 is written for mixed chorus, with a Piano accompaniment supplied for rehearsal purposes only.

Cantata for Soprano, Tenor, Baritone, Bass soloists, SATB chorus and orchestra. Caractacus was the last and most ambitious of Elgar's dramatic cantatas, written to fulfill a commission negotiated by H...

For organ manuals and pedal, arranged by Bert Koelewijn. B flat.

Edward Elgar composed Salut d'Amour as an engagement present for Caroline Alice Roberts. The original title was Liebesgruß - an indication of the fluent German of the composer's fiancé. Due to the rel...

Sir Elgar wrote his Pomp and Circumstance March no. 2 in 1901 and it was dedicated to fellow composer Granville Bantock. This second march is less well known than the first, but not because it is any...

In the masterful hands of Jay Bocook, this hauntingly beautiful melody of Elgar's makes a wonderful setting for the field. Nicely adapted to feature woodwind colors, a brief trumpet solo, and a powerf...

Mandolinen-Quartett (3 Mandolinen, Mandola/Cello; Gitarre ad lib.) oder Mandolinen-Orchester.

Written when he was 22 years old, this sweet and wistful piece has remained among Elgar's most popular works.

This variation was dedicated to Elgar's cellist friend Basil George Nevelson (B.G.N.), and is now available in this lush arrangement for cello quintet.

In this adaption for symphonic band, Clare Grundman summarizes the essential elements of the original march. The vigorous melodic ideas, majestic central melody, and rhythmic strength are effectively...