Egon Voss

'Siegfried' now completes the new edition of piano scores of Richard Wagner's 10 canonical operas based on the scientific complete edition. They are actually the first urtext editions of Wagner's oper...

An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.* The...

An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.* The...

Georges Bizet was not eminent as a piano composer, for the number of his piano works is small and not very substantial in terms of form, content and character. Yet there is an exception: the 'Jeux d'e...

We owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the elderly Brahms so interested in his instrument. In the 1890s the composer wrote the Trio op. 114, the Quintet op. 115 and...

The e minor Cello Sonata is the first work for one solo instrument and piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata 'whos...

The most important source for Bach's Cello Suites is a copy made by his wife Anna Magdalena because the autograph is no longer extant. As further copies show, the actual musical text is scarcely probl...

Beethoven's Opus 71 is one of a series of works for mixed wind instruments, which he composed in the 1790s. In 1805 at a performance of the dance-like, lively work in Vienna, the audience praised its...

Send my septet out into the world a little faster - because the rabble is awaiting it'. It was thus that Beethoven bade his publisher make haste in 1802. The public did not take offence at this rather...

What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed musi...

It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divert...

The three Duos for Clarinet and Bassoon WoO 27 stylistically belong to Beethoven's earliest creative period. Due to their lively character, the skilful play with timbre, and the fact that they are not...