Ernst Hettrich
The most important source for the fundamentally revised edition is Schumann's hand copy. The poetic motti that Schumann noted at the end of the autograph are reproduced in the appended remarks.
The most important source for the fundamentally revised edition is Schumann's hand copy. The poetic motti that Schumann noted at the end of the autograph are reproduced in the appended remarks.
- Piano
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Composed in Vienna in 1838 along with several other shorter pieces, Schumann's Arabesque has found a permanent place in the general piano repertoire. It may owe its lightness and grace to Schumann's u...
Composed in Vienna in 1838 along with several other shorter pieces, Schumann's Arabesque has found a permanent place in the general piano repertoire. It may owe its lightness and grace to Schumann's u...
- Piano
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- Ernst Herttrich
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Who was 'Pauline, Countess of Abegg', the dedicatee of the first edition? Nowadays it is known that the matter revolves around a romantic mystification of the name of Meta Abegg, a friend from Schuman...
Who was 'Pauline, Countess of Abegg', the dedicatee of the first edition? Nowadays it is known that the matter revolves around a romantic mystification of the name of Meta Abegg, a friend from Schuman...
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With humor, 'slow and tender, 'extremely brisk': the very expression marks of the op. 12 'Fantasy Pieces' illuminate their musical universe, a kaleidoscope of ideas and moods. Our revised new edition...
With humor, 'slow and tender, 'extremely brisk': the very expression marks of the op. 12 'Fantasy Pieces' illuminate their musical universe, a kaleidoscope of ideas and moods. Our revised new edition...
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Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived a...
Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived a...
- Violonchelo y piano
- Partitura de piano y partichela(s) (Urtext)
- David Geringas Klaus Schilde
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The composition cost him his sleep. In October 1842, when Schumann had finished his piano quintet in a short period of time, he was physically and emotionally drained. The work in no way reflects this...
The composition cost him his sleep. In October 1842, when Schumann had finished his piano quintet in a short period of time, he was physically and emotionally drained. The work in no way reflects this...
- Quinteto de piano (2 violines, viola, violonchelo y piano)
- Partituras (Urtext)
- Ernst Herttrich
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When it came to the genre of the string quartet, Beethoven was a relative latecomer. He was already 28 years old when he obtained the contract for the composition of the Quartets opp. 18 from Prince L...
When it came to the genre of the string quartet, Beethoven was a relative latecomer. He was already 28 years old when he obtained the contract for the composition of the Quartets opp. 18 from Prince L...
- Cuarteto de cuerda (2 violines, viola y violonchelo)
- Set de partichelas (Urtext)
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The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All l...
The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All l...
- Cuarteto de cuerda (2 violines, viola y violonchelo)
- Set de partichelas (Urtext)
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Spirited', 'dramatic', 'highly expressive', and 'masterly' are among the comments made upon Mendelssohn's String Quartets op. 44 nos 1-3. He wrote them in 1837/1838, at a very happy time: he had just...
Spirited', 'dramatic', 'highly expressive', and 'masterly' are among the comments made upon Mendelssohn's String Quartets op. 44 nos 1-3. He wrote them in 1837/1838, at a very happy time: he had just...
- Cuarteto de cuerda (2 violines, viola y violonchelo)
- Set de partichelas (Urtext)
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Mendelssohn's String Quartet op. 80 is one of his few 'autobiographical' works, a moving musical document of his grief over the death of his sister Fanny and his attempt to artistically process the pa...
Mendelssohn's String Quartet op. 80 is one of his few 'autobiographical' works, a moving musical document of his grief over the death of his sister Fanny and his attempt to artistically process the pa...
- Cuarteto de cuerda (2 violines, viola y violonchelo)
- Set de partichelas (Urtext)
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The circumstances in which these poetic 'Soirée Pieces' (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced...
The circumstances in which these poetic 'Soirée Pieces' (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced...
- Violín y piano
- Partituras (Urtext)
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Eduard Hanslick, a much feared critic in his time, was not very complimentary following its première: the violin was no longer being played but rather 'pulled about, torn asunder, beaten black and blu...
Eduard Hanslick, a much feared critic in his time, was not very complimentary following its première: the violin was no longer being played but rather 'pulled about, torn asunder, beaten black and blu...
- Violín y piano
- Reducción de piano (Urtext)
- Polina Vajdman
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The vocal works collected in this volume were composed for very different occasions. Several of them were tailor-made for female singers of Beethoven's acquaintance; with others he was trying his hand...
The vocal works collected in this volume were composed for very different occasions. Several of them were tailor-made for female singers of Beethoven's acquaintance; with others he was trying his hand...
- Voz (aguda) y piano
- Reducción de piano (Urtext)
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The origin of this concert aria, which is a core piece in the singer's repertoire, is swathed in mystery. We still do not know where Beethoven found the text for the aria. The text for the recitative...
The origin of this concert aria, which is a core piece in the singer's repertoire, is swathed in mystery. We still do not know where Beethoven found the text for the aria. The text for the recitative...
- Voz (aguda) y piano
- Reducción de piano (Urtext)
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When Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his 'Lieder ohne Worte', he effusively thanked him for this gift. However, th...
When Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his 'Lieder ohne Worte', he effusively thanked him for this gift. However, th...
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Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. 'Writing a 'Corpse Fantasy' since Monday...
Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. 'Writing a 'Corpse Fantasy' since Monday...
- Piano
- Partituras (Urtext)
- Ernst Herttrich
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The Sonata in D major is the last of the Six Sonatas K. 279-284 that Mozart had in his luggage when he set off for Paris in September 1777. He had already successfully performed this music in Munich,...
The Sonata in D major is the last of the Six Sonatas K. 279-284 that Mozart had in his luggage when he set off for Paris in September 1777. He had already successfully performed this music in Munich,...
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- Hans-Martin Theopold
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'I wish to do it to reflect the character of Mad:selle Rose,' Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannab...
'I wish to do it to reflect the character of Mad:selle Rose,' Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannab...
- Piano
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- Hans-Martin Theopold
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With the 'Introduction and Concert Allegro', composed in 1853 and dedicated to Johannes Brahms, we have completed our editions of Schumann's works for piano and orchestra. The famous Piano Concerto in...
With the 'Introduction and Concert Allegro', composed in 1853 and dedicated to Johannes Brahms, we have completed our editions of Schumann's works for piano and orchestra. The famous Piano Concerto in...
- 2 pianos 4 manos
- Reducción de piano (Urtext)
- Andreas Groethuysen
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Schumann began work on the Toccata op. 7 when he was only 20 years old. At the time he was studying law, following his family's wishes. He did not, however, intend to have his first manuscript, entitl...
Schumann began work on the Toccata op. 7 when he was only 20 years old. At the time he was studying law, following his family's wishes. He did not, however, intend to have his first manuscript, entitl...
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Encouraged by the success of his 'Papillons', Schumann composed his 'Intermezzi' op. 4, also known as 'longer Papillons', in 1832. Despite the at times improvisatory style, Schumann worked very carefu...
Encouraged by the success of his 'Papillons', Schumann composed his 'Intermezzi' op. 4, also known as 'longer Papillons', in 1832. Despite the at times improvisatory style, Schumann worked very carefu...
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A secret engagement, a composer as prospective father-in-law and several rival publishing houses - it was against this backdrop that the work was composed. His youthful and passionate love for Ernesti...
A secret engagement, a composer as prospective father-in-law and several rival publishing houses - it was against this backdrop that the work was composed. His youthful and passionate love for Ernesti...
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Mazurkas, nocturnes, waltzes and polonaises constitute the core of Chopin's expressive world. However, he also moved comfortably beyond such genre cycles, and pieces of this sort are brought together...
Mazurkas, nocturnes, waltzes and polonaises constitute the core of Chopin's expressive world. However, he also moved comfortably beyond such genre cycles, and pieces of this sort are brought together...
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I am endlessly looking forward to the second sonata', thus Clara wrote to Robert in 1838, 'Your whole being is so clearly expressed in it.' Nonetheless in the same letter she encouraged him to revise...
I am endlessly looking forward to the second sonata', thus Clara wrote to Robert in 1838, 'Your whole being is so clearly expressed in it.' Nonetheless in the same letter she encouraged him to revise...
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Following Schumann's fi rst, evidently unsuccessful attempt at composing a 'Sonata' - he only had the opening movement published under the title 'Allegro in b minor' - he tried once again in 1833. It...
Following Schumann's fi rst, evidently unsuccessful attempt at composing a 'Sonata' - he only had the opening movement published under the title 'Allegro in b minor' - he tried once again in 1833. It...
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