Felix Mendelssohn Bartholdy

Mendelssohn's overture was inspired by two poems by Goethe, which had already inspired Ludwig van Beethoven to write a choral work accompanied by orchestra. The main work on this piece probably took p...

Mendelssohn's overture was inspired by two poems by Goethe, which had already inspired Ludwig van Beethoven to write a choral work accompanied by orchestra. The main work on this piece probably took p...

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.