Friedrich Zehm

Fünf mit viel Einfühlungsvermögen für Möglichkeiten und Effekte der Zupfinstrumente komponierte Sätze. Traditionelle Satztechniken und Formen (Elemente aus Rondo, Gigue, Fuge) und zeitgemässe Harmonik...

Fünf mit viel Einfühlungsvermögen für Möglichkeiten und Effekte der Zupfinstrumente komponierte Sätze. Traditionelle Satztechniken und Formen (Elemente aus Rondo, Gigue, Fuge) und zeitgemässe Harmonik...

Fünf mit viel Einfühlungsvermögen für Möglichkeiten und Effekte der Zupfinstrumente komponierte Sätze. Traditionelle Satztechniken und Formen (Elemente aus Rondo, Gigue, Fuge) und zeitgemässe Harmonik...

Fünf mit viel Einfühlungsvermögen für Möglichkeiten und Effekte der Zupfinstrumente komponierte Sätze. Traditionelle Satztechniken und Formen (Elemente aus Rondo, Gigue, Fuge) und zeitgemässe Harmonik...

Fünf mit viel Einfühlungsvermögen für Möglichkeiten und Effekte der Zupfinstrumente komponierte Sätze. Traditionelle Satztechniken und Formen (Elemente aus Rondo, Gigue, Fuge) und zeitgemässe Harmonik...

2 Spielpartituren (Hrsg.: Wilden-Hüsgen). Zeitgenössische Komposition, Mittel- Oberstufe.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, who lives in Wiesbaden combines stylistic elements from classicism and pop in his three-movement rhythmophony.