Gabriel Fauré

Even in these early pieces Fauré's penchant for unusual and daring harmonic shifts is already apparent. This edition offers alternative readings based on Fauré's piano-roll recording of the third roma...

Nowhere in Fauré's output are the polemics about tempo and metronome markings so pronounced as in this extended and relatively neglected piece. The detective work for the scholar and the performer beg...

Fauré's 13 Nocturnes form the most significant group of piano character pieces in his oeuvre. Despite their title - which places them in the tradition of John Field and Frédéric Chopin - Fauré here de...

Despite its unusual form - a structure with two sections, each comprising two movements that are to be played without interruption - this work from 1875 enjoyed great success from the start. In its ba...

At last Fauré's brilliant masterpiece is available in a modern urtext edition! This vibrant set of variations was premièred in London's St James Hall on 10 December 1896 and appeared in print the foll...

Après un rêve, written by Gabriel Fauré for solo voice and piano, is a charming performance piece for concerts and festive occasions and one of the most famous and most popular melodies by the French...

'Novelty of form, selected modulations, strange tone colours, the use of completely unexpected rhythms', this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Abo...

Violoncello, Klavier - Spielpartitur; Einzelstimme

Parte del repertorio más elegante para violonchelo fue escrito por compositores franceses. Con lirismo y encanto a partes iguales, estas siete bellas melodías para solo son un regalo de los destacados...

Alles für den Feinschmecker 1876, also zehn Jahre vor der Violinsonate von César Franck in derselben Tonart, leistet Gabriel Fauré bereits mit der A-dur-Sonate op. 13 einen gewichtigen Beitrag zur neu...

The music of small forms and of chamber-music instrumentations was to become the focus of the French composer Gabriel Fauré (1845-1924). In 1874, after many years spent in the 'provinces', the teacher...

'Novelty of form, selected modulations, strange tone colours, the use of completely unexpected rhythms', this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Abo...