Gabriel Jackson

Orchestral scores and parts are also available. Offprinted from the collection O Holy Night. An unaccompanied setting of the same text to its original tune by W. J. Kirkpatrick is included in the comp...

Setting a text taken from the Books of Sirach and Ezra, Build this House uses tonal shifts and alternating homophonic and polyphonic sections to create a piece that is both contemplative and joyous.

Based on William J. Kirkpatrick's 'Cradle Song', A Christmas Meditation was written as underscoring for a Biblical reading. In the tradition of incidental music, the piece may be used in various ways,...

Setting original words by the artist Marc Bratcher, this tender and evocative carol for unaccompanied SATB choir is suitable for performance at Christmas or Epiphany.

This work is classic Chilcott - vibrant, fresh, and great fun. It is an exuberant setting of the well-known carol in which the 'five gold rings' refrain is re-written to appear in an array of guises:...

Inspired by Rothko canvases, this 15 minute study starts by revolving around a high D, acting as a line of centrifugal force from which microtones pull away. Gradually little interruptions and playful...

There is also a version for accordion.

A short Mass setting for unaccompanied chorus, written for the Exon Singers recording, The Cloths of Heaven, on Delphian Records.

This is an adaptation of music from Act 4, Scene 1 of The Pilgrim's Progress so that it may be performed in concert. Recorder, flute, or clarinet may be incorporated in the piano accompaniment as indi...

One of Berkeley's earliest published compositions, Three Songs to Children sets texts by W B Yeats, Wilfred Owen, and Walter de la Mare. The direct simplicity of Yeats and Owen settings contrast with...

Conceived as a set, these eight songs are drawn from several Chinese regions. In this new arrangement the music has been refashioned for Western instruments, with stylistic bowing and fingering. Suita...

This motet was first performed at the dedication of the Battle of Britain Chapel in Westminster Abbey, London, and has an accordingly sombre tone.

Not no faceless Angel is a beautifully reflective work. Originally commissioned by Joy Hill and the RCM Junior Department, the work is a sensitive setting of words by Tanya Lake. The themes of loss an...

Commissioned by the choir of Merton College, Oxford, In the beginning was the Word provides a welcome musical setting of this iconic biblical text. Suitable for use throughout the church year. 32 page...

The opening of this motet displays Massaino's skill in the art of word-painting with soaring lines that play on the word 'arise' (Surge). Punctuated with occasional homophonic writing, the beautiful m...

Arranged here for unison voices and piano, this uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. Al...

For piano duet. Rhapsody in Red is based on a 'textwork' by the British artist Richard Long - Red Walk Bristol to Dawlish - which lists objects seen on a walk from Bristol to Dawlish and the distances...

The Coral Sea takes its title and structure from the prose poem of the same name that Patti Smith wrote as a memorial to the great photographer Robert Mapplethorpe, who died in 1989.

The Flea was commissioned as a work 'suitable for singing in an informal setting and easily memorised'. It is a free and humorous setting of John Donne's poem in which the poet attempts to seduce his...

St Asaph Toccata was commissioned by Symphony Hall, Birmingham, as part of the Bach to the Future Series. The composer writes: 'The original title for the piece was Toccata Machine as I had an image o...

This original composition combines several traditional proverbs (Good things come to those who wait, What goes up..., Where there's a will...), a quirky melody, a laid-back swing feel, a whispering se...