Günter Kehr

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fin-gerings. Its peculiarity results from the characteristic title...

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...

This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...

This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...

Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Bassi - 2 Violinen, Viola, Bassi; Cembalo ad lib.

Muffat, pupil of Lully and Corelli, composed his concerto 'Victoria Maesta' ('Sad Victory') in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the...

Stimmensatz - Oboe I/II, Horn I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe - Kammerorchester

Según el autógrafo y la impresión original, op. 78. 7ª edición.

La edición forma parte del plan de estudios Trinity 2007 (grado 8)

The edition is part of the ABRSM syllabus (grade 8)

Giuseppe Tartini's Devil's Trill Sonata came forth from a dream the composer had in 1713 in which he made a pact with the devil and witnessed the latter's virtuosic playing. After awakening, taken aba...

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...