Gustav Holst

A long-time favorite in the string repertoire, this 3-movement classic continues to dominate festival performances. Holst created this masterwork with student players in mind during his tenure at St....

Experience one of the most sublime and poignant moments in musical history on the organ: the world-famous Jupiter theme from Gustav Holst's masterly orchestral suite "The Planets", widely known and ch...

Gustav Holst's beautiful melody serves as the foundation from which Robert W. Smith fashions this remarkable work. From a haunting single voice, a stunning climax is reached before giving way to a sim...

The beautifully haunting sounds of this Holst classic appear first in the lower brass to launch this highly atmospheric scoring for concert band. Shifting tonalities and sonorities include a chorale s...

The beautifully haunting sounds of this Holst classic appear first in the lower brass to launch this highly atmospheric scoring for concert band. Shifting tonalities and sonorities include a chorale s...

Experience a masterpiece of grandeur, dignity, and deep emotion with »I Vow To Thee«. This powerful arrangement for concert band, published by Editions Marc Reift, perfectly captures the solemn and mo...

For SSAA double choir unaccompanied.

Sweet and low - The splendour falls - Tears idle tears - O swallow swallow - Now sleeps the crimson petal. Titel auch einzeln erhälrltlich

A beatutiful arrangement of Christina Rossetti's famous Christmas carol, set by Gustav Holst and arranged by Philip Lawson. This carol will be popular with choirs and audiences alike.

A beatutiful arrangement of Christina Rossetti's famous Christmas carol, set by Gustav Holst and arranged by Philip Lawson. This carol will be popular with choirs and audiences alike.

A motet for eight-part unaccompanied choir setting a poem by Henry Vaughan and edited by Imogen Holst.

The famous words of Christina Rossetti and the music of Gustav Holst are beautifully set for a cappella voices by Jay Rouse. It begins with wind-like oo's, then followed by a more contemporary choral...