Gyula Csapó

Suggested instrumentation: two muted trumpets (sounded on both sides of the stage), an oboe (in the centre), an electric organ (background, centre) and a cardboard box (foreground, centre). 'The memor...

This cycle, originally written in 1995 and revised twenty-five years later, strives to unite the art of Satie and Stravinsky: Ivory inlays, cut into sound, subjected to the background action of a time...

The composer writes about his work: My piece entitled Embroidery patterns on the cracked surface of the Earth can be imagined somehow as follows: two clarinets and a bassoon write beautifully ornament...

The composer writes the following about this work: 'As if we could only walk sideways in a tilted force field, Petruska-Harlequin in my piece evokes waltz fragments on a capsized 'Titanic', or Berlioz...

Sutraecitations is vocal music composed for tenor (soprano) or bariton (mezzo-soprano) voice, three clarinets, the amplified sounds of piano, an amplifier, loudspeakers, two tuned glasses, and unident...

A Desert March is a protest march and a requiem for European musical culture. This seemingly endless march carries with it subdued or disfigured Western art music quotations (Brahms, Schubert, Beethov...

The title refers to image-patterns of summer flowers and vegetation of the Northern Canadian tundra when viewed from a low-flying aircraft. Some characteristic titles among the eleven movements includ...