Hans Eppstein

Las tres sonatas de Johann Sebastian Bach para viola da gamba y clave obbligato BWV 1027-1029, que se presentan en este volumen tanto en la versión original con viola da gamba como en una versión con...

Urtext de la Nueva Edición Bach - según BWV 1027-1029.

The four Bach flute sonatas presented in this volume offer a genuine variety both in style and transmission. The first two are thoroughbass sonatas conceived for flute, string bass and harpsichord. Th...

Ahora es posible añadir el epíteto "anteriormente" a la formulación de estas sonatas como "atribuidas a Bach" en el título de nuestra edición Urtext; hoy se supone que ninguna de las tres sonatas fue...

The solo parts of this wonderful Double Concerto for two violins and orchestra survive in a faultless fair copy by Bach that was made around 1730. The slow movement is regarded as a melodic high point...

Faksimile der vier Quellen im Beiband zum Kritischen Bericht Neue Bach-Ausgabe. Serie VI, Band 2.

La enormemente querida y a menudo interpretada Sonata en Trío BWV 1039, que Bach también arregló para gamba y clave, es, junto a la Sonata en Trío de la Ofrenda Musical, la única sonata en trío de J....

Bach's Trio Sonata for flute, violin and basso continuo from the Musical Offering is probably the pre-eminent trio sonata in music history. When Bach met King Frederick the Great in Potsdam in 1747, t...

As Court Music Director in Cöthen, Johann Sebastian Bach devoted himself primarily to instrumental music. Among the works written there were his Sonatas for violin and obbligato harpsichord BWV 1014-1...

As Court Music Director in Cöthen, Johann Sebastian Bach devoted himself primarily to instrumental music. Among the works written there were his Sonatas for violin and obbligato harpsichord BWV 1014-1...

Bach's E major Violin Concerto has survived solely in the form of a copy, but in view of its significant compositional substance, and of Bach's arrangement (which has come down to us as an autograph)...

For the editor of an Urtext edition, Bach's A minor violin concerto BWV 1041 presents few problems; cleanly-written original parts exist from Bach's Köthen (or early Leipzig) period. But beyond the gu...

Las tres sonatas de Johann Sebastian Bach para viola da gamba y clave obbligato BWV 1027-1029, que se presentan en este volumen tanto en la versión original con viola da gamba como en una versión con...

Urtext de la Nueva Edición Bach - según BWV 1027-1029.

Urtext der Berwald Gesamtausgabe. Klarinette in b, Fagott, Horn, Violine, Viola, Violoncello, Kontrabass - Partitur; Stimmensatz; Urtextausgabe; Gesamtausgabe

Anhang: Trio Es-dur (Fragment), Trios C-dur (Fragment). Urtext der Berwald Gesamtausgabe Violine, Violoncello, Klavier - Partitur; Stimmensatz; Urtextausgabe; Gesamtausgabe

Urtext der Berwald-Gesamtausgabe. Klarinette in b, Fagott, Horn, Violine, Viola, Violoncello, Kontrabass - Stimmensatz

Einrichtung der Sonate A-dur für Flöte und obligates Cembalo BWV 1032 vom Herausgeber Flöte, Violine, Basso continuo - Spielpartitur; Stimmensatz

Einrichtung der Sonate A-dur für Flöte und obligates Cembalo BWV 1032 vom Herausgeber Flöte, Violine, Basso continuo - Spielpartitur; Stimmensatz

These three separately transmitted sonatas hide some attribution problems. BWV 1020 (the Sonata in g minor) is quite possibly by Bach's son Carl Philipp Emanuel, and today is mostly played on the flut...

Kammermusikwerke Band 4. Urtext der Neuen Bach-Ausgabe. Viola da gamba, Cembalo - Partitur; Urtextausgabe; Gesamtausgabe

Drei Sonaten für Viola da gamba und Cembalo. BWV 1027-1029. Viola da gamba, Cembalo - Kritischer Bericht; Gesamtausgabe

Sechs Suiten für Violoncello solo BWV 1007-1012. Kritischer Bericht (Textband / Beiband: Faksimile der vier Quellen). Violoncello - Kritischer Bericht; Gesamtausgabe

Bach had a predilection for creating solo works for instruments that were more usually supplied with a keyboard accompaniment. It is thus only logical that, as well as the violin and cello, he also th...

Bach probably composed his six violin sonatas between 1717 and 1723, during his tenure as court Kapellmeister in Köthen. Apparently he was no longer content with adding the solo part to a bass-line, s...