Hans Werner Henze

Sopran, Bariton, Sprechstimme, gemischter Chor (SSSSAAAATTTTBBBB, dazu 9 Knaben, S/A) und Orchester

Sopran, Bariton, Sprechstimme, gemischter Chor (SSSSAAAATTTTBBBB, dazu 9 Knaben, S/A) und Orchester

Soli, Sprecher, Chor und Orchester

In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as direct...

In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as direct...

'My Sinfonia No. 8 is not at all tragic or moody like the Seventh. It is a summer piece and is based on three moments from Shakespeare's A Midsummer Night's Dream', writes Hans Werner Henze. This, how...

'My Sinfonia No. 8 is not at all tragic or moody like the Seventh. It is a summer piece and is based on three moments from Shakespeare's A Midsummer Night's Dream', writes Hans Werner Henze. This, how...

Fantasie über 'Das verratene Meer' für großes Orchester

These are free arrangements of three movements from Hartmann's Piano Sonata '27. April 1945.' Hartmann wrote the Sonata after witnessing endless columns of emaciated prisoners leaving the Dachau conce...

These are free arrangements of three movements from Hartmann's Piano Sonata '27. April 1945.' Hartmann wrote the Sonata after witnessing endless columns of emaciated prisoners leaving the Dachau conce...

One of my earliest works for orchestra, this piece was strongly influenced by the aural and visual impressions left by the London Sadler's Wells Ballett's visit to Hamburg in 1949.- Hans Werner Henze