Harry R. Gee

Originally written for a small orchestra, Brahms excluded violins from the original score intentionally, not wanting to include their outstanding brilliance of tone. Brahms instead suggests additional...

Contest List: NY This delightful arrangement of the second movement from Mozart's Violin Sonata No. 9 is ideal for advanced high school and college students. A great work for studying ornaments includ...

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...

This is a fine recital or contest selection for the intermediate young bass clarinet player.

Harry Gee transcribed large sections of the Concerto, K. 622 for two clarinets in order to give the student a more complete understanding of the musical content. When an pianist who can play the works...

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...

Mozart's personal affection for the woodwinds is evident in his many concertos, quartets, quintets and the three serenades. No proper high function in the middle 18th century sees to have been complet...

This arrangement for baritone by Harry Gee includes and Andante in 3/4 followed by an Allegro in a 6/8 which includes quick slur-staccato patterns and a few large leaps to both the upper and lower end...

The 'Allegro Spiritoso' is the 3rd movement of a Sonata in D Minor. Versions for following instruments are available from the publisher: alto clarinet, bass clarinet, contra alto clarinet, contrabass...

Rabaud's famous Solo de Concours was used for the Paris Conservatory clarinet competition between 1901, '08, and '37. Harry Gee has transcribed the work for alto saxophone and piano, and has also arra...

This short and lively serenade is in the character of a scherzo. The arrangement emphasizes the development of phrasing for the intermediate saxophonist.

Version for Soprano, Alto, Tenor, and Baritone Saxophones available from the publisher.

This tuneful adagio by Louis Spohr (1784 - 1859) alternates between F major and minor.

Version for Soprano, Alto, Tenor, and Baritone Saxophones available from the publisher.

Originally written for clarinet and piano, this canzonetta by Pierne has been transcribed for either Eb alto saxophone, Bb tenor saxophone or soprano saxophone.

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...

Rabaud's famous Solo de Concours was used for the Paris Conservatory clarinet competition between 1901, '08, and '37. Harry Gee has transcribed the work for alto saxophone and piano, and has also arra...