Clive Jenkins

A lovely gentle setting of the Ave Maria for unison voices or a mezzo-soprano solo with organ accompaniment. Vocal range C-E.Duration 2 minutes

A Christmas song for men's voices (Tenor, Baritone, Bass) and piano. Words and music by Clive Jenkins. This can be sung by a trio of male voices or a male voice choir.Duration 2½ minutes

Orchestration: Violin 1, Violin 2, Viola, Cello, Bass Tarte au Citron was written for a concert about food at the Banqueting House in Whitehall, London. Rossini was the chef. Handel provided the appet...

Berceuse; Scherzo; Intermezzo; Finale These Four Piano Pieces were composed for the Italian pianist Giorgio Vercillo following a 2004 recital at St James's Piccadilly with the violinist Peter Fisher w...

A piece for brass quintet (2 Trumpets in Bb, Horn in F, Trombone and Tuba) which features the trombone. Score and parts included. The first four notes of the trombone solo came to me out of the air. Y...

This piece, with string orchestra accompaniment, was composed in 1987 for Jonathan Mallalieu, now artistic director of Beauville Arts in France, then a gifted viola player at Plymouth College, where C...

These four pieces were all recorded for light music sessions in the early days of BBC Radio London. 1. Autumn Gold: The tune came to me when walking in Ashridge Forest one autumn. 2. Blue Flute: My ve...

To mark ten years of lunchtime recitals in the International Series at Plymouth Museum & Art Gallery in 2003, concert organiser Jeanie Moore MVO commissioned Clive Jenkins to write 'fairly light music...

To mark ten years of lunchtime recitals in the International Series at Plymouth Museum & Art Gallery in 2003, concert organiser Jeanie Moore MVO commissioned Clive Jenkins to write 'fairly light music...

A piece for trombone and piano. The first four notes of the trombone solo came to me out of the air. Years ago, my wife Sheila and I were weekending on the Roseland Peninsula. We had arrived late in t...

Orchestration: Solo Violin, Solo Violoncello, Violin 1, Violin 2, Viola, Cello, Bass Thames Reflections accompanied pictures of modern buildings reflected in the river projected onto five big screens...

Orchestration: Solo Viola or Clarinet in Bb, Violin 1, Violin 2, Viola, Cello, Bass This piece was composed in 1987 for Jonathan Mallalieu, now artistic director of Beauville Arts in France, then a gi...

Orchestration: Solo Harmonica or Violin or Flute or Clarinet or Alto Sax, Violin 1, Violin 2, Viola, Cello, Bass A memorable piece in slow swing style. 4, 7, 11 - Counting the number of bars in the in...

Orchestration: Clarinet in Bb, Strings (Violin 1, Violin 2, Viola, Cello, Bass) To mark ten years of lunchtime recitals in the International Series at Plymouth Museum & Art Gallery in 2003, concert or...

Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass) The Chamber Ensemble of London gave the first performance of this work at St Martin-in-the-Fields in 2009 and later recorded it on the C...

Orchestration: Solo Piano, Strings: Violin 1, Violin 2, Viola, Cello, Bass Clive Jenkins was introduced to Margaret Fingerhut after a Kings Place concert where his 'Tarte au Citron' and 'Thames Reflec...

Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass)I composed this two-movement work in 2014 to thank Malcolm Latchem, violinist-director of the Pressenda Ensemble, for many highly profess...

Orchestration: Solo Oboe, Strings (Violin 1, Violin 2, Viola, Cello, Bass)Oboist Michael Stowe, prize-winner, first class graduate (Guildhall 2019), entered the music profession when the 2020 covid pa...

A tuneful piece for baroque string orchestra but with a modern sound' was the brief. The Chamber Ensemble of London first played the result at St Martin-in-the-Fields in 2005 and later recorded it. Ho...

Publisher David Good's suggestion for a title for this collection could not be more apt! For years I had been meaning to write something for bassoon. The pandemic emptied my diary; I had the time. Con...

With a different title and in another arrangement, Fantasy for Horn premiered in Plymouth Guildhall in March, 2002 played by the South West Sinfonietta under Derek Kitt. It had been commissioned by Pl...

Reduction for oboe and piano.Oboist Michael Stowe, prize-winner, first class graduate (Guildhall 2019), entered the music profession when the 2020 covid pandemic shut down all avenues of employment -...

A memorable piece in slow swing style. 4, 7, 11 - Counting the number of bars in the introduction, the main theme and the episodes reminded the composer of Germany's best-known house number, 4711 in G...

A Christmas song for soprano and alto voices with piano or organ accompaniment. Words are by William Ballet (early 17th Century).Duration 2 minutes

With a different title and in another arrangement, Fantasy for Horn premiered in Plymouth Guildhall in March, 2002 played by the South West Sinfonietta under Derek Kitt. It had been commissioned by Pl...