James MacMillan

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

The setting of Padre Pio's Prayer is after Communion. It was commissioned by the Genesis Foundation and first performed by The Sixteen, conducted by Harry Christophers, in June 2008 at Westminster Cat...

A setting of verses from Psalm 112 (Latin text). The prize-winning work in the composers' competition held in conjunction with the 2nd Norwich Festival of Contemporary Church Music, 1983. Suitable for...

This is a festive setting and will make a welcome alternative to John Rutter’s ubiquitous setting for similar forces (brass and organ). MacMillan has, as always, been very practical in making a settin...

This mass was commissioned for the glory of God in the Millennium Year of Jubilee, and was first performed on the Feast of Corpus Christi by the Choir of Westminster Cathedral, London, with Andrew Rei...

This 17-minute choral sequence is scored for mixed chorus and organ, with optional percussion, and presents five of the Latin 'motets' which occur at the end of movements in MacMillan's St John Passio...

Scored for chorus, children's choir, organ and chamber orchestra, St Luke Passion adopts a pared-back focus on choral voices over its 75-minute span. Seeking a more spiritual, inward approach to match...

A setting of Psalm 45 (46) in Latin commissioned by the Leeds Festival Chorus and first performed by them in Leeds Town Hall in March 2014, conducted by Simon Wright. The work features a variety of ch...

This work was commissioned by the Friends of Cathedral Music to mark their Diamond Jubilee in 2016, with the intention of performance by as many of the affiliated choirs as possible.Naturally a celebr...

Composed in 2015, Stabat Mater was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen. Scored for mixed chorus and string orchestra it is a long-awaited sequel to the early...

This energetic and danceable setting of Psalm 33, verses 1 - 4 (in modern English), 5 minutes in length, was commissioned by Worth School and Abbey in the UK in 2018. A highly attractive musical inter...

Especially commissioned by the Dean & Chapter of Westminster for performance at the Funeral Service of Her Late Majesty Queen Elizabeth II at Westminster Abbey on Monday 19 September 2022. The text, f...

Desde su publicación en 1997, la Misa de Galloway de MacMillan se ha consolidado como una de las misas congregacionales más populares en iglesias de diversas confesiones de todo el mundo. Con la intro...

This is an approachable and affecting setting of a devotional poem by the revered Carmelite nun St Thérèse of Lisieux (1873–97). The choral writing, marked ‘placid’, comprises simple four-part homopho...

Esta breve pero sobrecogedora pieza ceremonial fue encargada por la Catedral de Westminster para la visita del Papa Benedicto XVI en 2010. Órgano, metales y timbales retumban en torno al texto cantado...

This double choir anthem setting a text from the 12th century Worcester Acclamations was written for St Paul's Cathedral, London, with the music incorporating breathing space to allow for the cathedra...

This is an extremely touching tribute piece composed following the horrific slaughter of primary school children at Dunblane in Scotland. The words (traditional) are direct in their simplicity and Mac...

Chorpartitur.

MacMillan's large-scale festival settings of the Magnificat and Nunc Dimittis can be performed with organ or orchestra. The Magnificat was commissioned by the BBC for the first Choral Evensong of the...

This setting was composed for the choir of the Chapels Royal, HM Tower of London, on the occasion of the Queen's Golden Jubilee in 2002. MacMillan approaches this well-known text (1662 Book of Common...

Widely admired as one of MacMillan's finest achievements, this promises an absorbing and moving experience in concert, for performers and audience alike. This cantata follows Christ's final utterances...

Composed in 1986 for the wedding of friends of the composer's, and first performed by him at the marriage ceremony. The manuscript recently came to light as the couple celebrated their Silver Wedding...

Extended instrumental solo taken from MacMillan's 70-90-minute Since it was the day of Preparation … for voices & ensemble, commissioned by the Hebrides Ensemble, Edinburgh International Festival, Sol...