Jo Kondo

For two Pianos tuned a quarter-tone apart. First published 2008. three pieces for two pianos tuned a quarter-tone apart. commissioned by Takeo Hoshiya and the Ensemble Bois.

Published 1976. First performance: Tokyo (Music Today Festival), 1976, Nexus.

Published 1976. First performance: Tokyo (Music Today Festival), 1976, Nexus.

Published 1973. Commissioned by Tokyo Percussion Ensemble. First performance: Tokyo, 1973, Tokyo Percussion Ensemble.

Published 1973. Commissioned by Tokyo Percussion Ensemble. First performance: Tokyo, 1973, Tokyo Percussion Ensemble.

For Flute, Clarinet, Violin, Cello, Piano. Published 2000. First performance: Pontino Festival, Latina, Italy, June 2000, Ensemble Alternance, for Luis de Pablo's 70th birthday

For Flute, Clarinet, Violin, Cello, Piano. Published 2000. First performance: Pontino Festival, Latina, Italy, June 2000, Ensemble Alternance, for Luis de Pablo's 70th birthday

Published 2001. Commissioned by Sinfonia Iwakuni, Japan. First performance: Iwakuni, Japan, conducted by Nobuaki Tanaka, 3rd March 2002.

For Orchestra (triple winds). Published 2004. Commissioned by Suntory Music Foundation, Tokyo. First performance: Jo Kondo Portrait Concert, Suntory Hall, Tokyo, Japan, 7th October 2004, Tokyo Metropo...

Jo Kondo's In Autumn for 13-stringed Koto (So) and 17-stringed Koto (Jushichigen). Commissioned and written for Kazue Sawai, this work was composed and published 2014.

Vocal Score for Mezzo-Soprano and Female Chorus

Two Songs For Female Chorus by Jo Kondo. Texts by Ariake Kanbara ('Random Thought' and 'Vermilion Patches'). Commissioned by Female Choir Akatsuki. 7'30'; for SSA choir.

Jo Kondo's Two Pieces for SATB Chorus. Commissioned by Tokyo Philharmonic Choir, Two Pieces was composed in 1981. The work was first performed by Tokyo Philharmonic Choir, conducted by Nobuaki Tanaka,...

For Guitar. Published 2000. First performance: July 2000, Darmstadt-Ferienkurse, Germany, Reinbert Evers.

Guitar, Mezzo-Soprano, Vibraphone, Alto Flute Text: poem of the same title by Louis Zukofsky. First performance: Wiesbaden, Germany, Ensemble L'ART POUR L'ART.

For Mezzo Soprano, Alto Flute, Viola, Percussion and Electric Guitar

Published 2002. Commissioned by Mary Sharp Cronson for the Work and Process at the Guggenheim Museum, New York, in celebration of Les Murray. First performance: Elizabeth Farnum (sop), Curtis Macomber...

For Flute, Vibraphone and Guitar. Published 1995. Commissioned by Ensemble L'ART POUR L'ART (Germany). First performance: Munich, 1996, Ensemble L'ART POUR L'ART.

Written to commemorate the 20th anniversary of the Ensemble L'ART POUR L'ART.

Jo Kondo's Causes And Effects for Ondes Martenot, Viola and Guitar. Commissioned by and written for Motoko Ohya, this piece was composed and published in 2014.

For Oboe, Bassoon, Piano, Guitar, 2 Percussion, Violin Published 1985. First performance: Tokyo, 1985, Ryoichi Kawai (cond), Musica Practica Ensemble.

Published 1990. Commissioned by Satoko Inoue. First performance: Tokyo, 1991, Satoko Inoue.

Published 1973. Commissioned by Yuri Takahashi. First performance: Tokyo, 1974, Yuri Takahashi.

Published 1996. Commissioned by Satoko Inoe. First performance: Tokyo, 1996, Satoko Inoue.