Johannes Behr

Los 51 ejercicios para pianoforte fueron publicados por Brahms en 1893. Desde entonces, se consideran la clave para desarrollar una técnica pianística ágil e idónea para tocar las obras para piano de...

Brahms' cello sonatas are probably amongst the most beautiful that has ever been written for this instrument. The publication of the two works in the new Brahms Complete Edition has prompted us to pub...

In 1894 Johannes Brahms asked the clarinettist Richard Mühlfeld to visit him during his beloved summer sojourn in Ischl, adding "It would be really wonderful if you brought your B flat clarinet with y...

Las Cuatro canciones serias, op. 121, serían la última obra que Brahms publicaría antes de su muerte. Estas canciones están estrechamente relacionadas con la muerte de su querida amiga Clara Schumann...

Two copies necessary for performance. Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: '... a second one will sound differe...

As with his famous 'Asturias', Albéniz' transcription of 'Mallorca' for guitar became a great deal more popular than the original version for piano. He probably composed this tender, dreamy 'barcaroll...

Las Variaciones Paganini ocupan un lugar especial en la obra pianística de Brahms. Según su título principal, son una obra de estudio, pero (a diferencia de los 51 ejercicios, por ejemplo) también son...

Sonatas op. 39 and 99 for piano and violoncello / Sonatas op. 120 for clarinet (or viola) and piano Editors: Johannes Behr, Egon Voss Scientific Complete Edition with Critical Report, Series II, Volum...

The main part of the volume contains the well-known three-movement printed version of the large-scale 'Triumphlied' (for double choir, baritone solo, orchestra and organ ad libitum) and presents in th...

Breitkopf Urtext after the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna

Brahms' "Clavier-Symhonie" in the original text of the complete edition Sometimes Brahms operated understatement, when he came to speak of his 2nd piano concerto, called it a "small" concerto - but wa...

Johannes Brahms mostró un temprano interés por la música de épocas anteriores. En este contexto, también conoció el tema de las variaciones de George Frideric Handel, que a su vez le inspiró para comp...

The Triumphlied for baritone, chorus and orchestra, almost forgotten today, was composed in response to the victory of the German army in the Franco-Prussian War of 1870/71 and suffers somewhat from t...

We owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the elderly Brahms so interested in his instrument. In the 1890s the composer wrote the Trio op. 114, the Quintet op. 115 and...

The e minor Cello Sonata is the first work for one solo instrument and piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata 'whos...

Urtext edition, additional viola part, paperback (with fingering).

Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: '... a second one will sound different'. Nevertheless, a good 20 years ela...

Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: '... a second one will sound different'. Nevertheless, a good 20 years ela...

Brahms composed his Triumphlied for eight-part chorus, solo baritone and orchestra as a direct reaction to the victory of the German army in the Franco-Prussian War of 1870/71 and the consequent found...

Breitkopf Urtext after the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna

Breitkopf Urtext after the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna

Breitkopf Urtext after the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna