Johannes Brahms

The Andante Moderato has been described as 'a procession in the moonlight'. The opening statement in unison is written in the Phrygian Mode, which gives it a solemn, archaic quality. It evolves into a...

Variations on a Theme of Haydn, arranged here for Flute Orchestra, was original composed by Johannes Brahms in 1873, based on a piece title 'St. Anthony's Chorale.' Although it is disputed whether or...

When Johannes Brahms composed the third movement (Poco Allegretto) of his Symphony No. 3, he broke with the standard tradition of that time period. Typically, in a symphony from the Romantic period, t...

The Symphony No. 4 of Johannes Brahms was his final symphony, composed in 1884. The Allegro non troppo (1st movement), arranged here for flute choir, is in standard sonata form (although there is no r...

The Symphony No. 4 of Johannes Brahms was his final symphony, composed in 1884. The Allegro energico e passionato (4th movement), arranged here for flute choir, is in the form of a chaconne (actually...

The Symphony No. 2 of Johannes Brahms was composed in 1877, premiered in December of that year. The Allegretto grazioso (3rd movement), arranged here for flute choir, is reminiscent of the Slavonic Da...

Die Kanons op 113, im Original für Frauenstimmen komponiert, eignen sich aufgrund ihrer Konzeption besonders gut für eine Transkription für Flöten. Lediglich wenige Transpositionen waren nötig, um die...

Warmth and lyricism characterise Brahm's distinguished output for smaller choirs. This selection presents his most accessible rewarding settings for upper voice choirs.

Brahms' radiant Lieder is crafted into this lovely SSA choral work. Unison singing establishes the melody then breaks off into three-part harmony. Individual part-singing in the second verse makes thi...

Brahms' radiant Lieder is crafted into this lovely SSA choral work. Unison singing establishes the melody then breaks off into three-part harmony. Individual part-singing in the second verse makes thi...

Ungarischer Tanz Nr. 5

Ungarischer Tanz Nr. 5

27 Sätze für Frauenchor-SSA, Frauenchor-SSAA - Sammelband; Singpartitur

The second in a series of four songs from Brahms' opus 43, which he composed in 1866, at the age of thirty-three. Its form is ternary (ABA) in structure. This composion clearly lifts the folksong-like...