John Leavitt

El texto de esta canción tradicional hebrea está traducido creo y fue cantada por muchos judíos durante el Holocausto. Las palabras proporcionaron consuelo a las víctimas, a los supervivientes y sirve...

The text for this traditional Hebrew song is translated I believe and was sung by many Jews during the Holocaust. The words provided comfort to the victims, to the survivors and serve as a beacon of h...

John Leavitt has taken a familiar melody and paired it with an earnest and pleading lyric to create this moving anthem. The English Horn part adds to both the listening and singing experience. Availab...

Bright, electric, and charged with energy, this setting of one of the seven Advent 'O' Antiphons features Jackson's characteristic flourishes of melodic ornamentation, tempered by moments of calm from...

This profoundly beautiful setting by John Rutter of one of the earliest English prayers, from the Sarum Primer of 1514, has been specially adapted by the composer for tenors and basses.

This arrangement of a traditional Welsh melody is an offprint from Benedict Sheehan's musical dramatization of A Christmas Carol.

Prologue is the first movement from Sarah Quartel's Snow Angel, an evocative five-movement choral work which is a firm favourite with choirs across the world. The musical language is emotive and picto...

The charming and vibrant melody of this attractive carol for choir and organ glides above harmonies that are almost entirely diatonic, but whose originality and frequent passing dissonances mean that...

This Christmas hymn includes John Rutter's own arrangement of the fifth and final verse. Orchestral scores and parts are also available for hire. Offprinted from the collection O Holy Night.

A setting of A. E. Housman's poem 'In Valleys Green and Still'.

Mack Wilberg has arranged the well-loved Irish folk melody Londonderry Air, setting to it the words of Howard A. Walter's poem 'I would be true'. Alternative words to the second and third verses by Da...

Setting an evocative text by Louise Imogen Guiney, this reflective carol will be a particularly useful addition to the repertory of cathedral choirs. The oft-changing metres complement the poetic metr...

Forever Child is a suite of seven pieces on the theme of childhood. The work forms an excellent concert suite, or any of its movements may be extracted for separate performance.

A long-time favorite on the festival circuit for choral ensembles, Alfred is proud to celebrate the 20th anniversary of 'Festival Sanctus' with additional voicings, a SoundTrax CD, and a full orchestr...

A haunting piece destined to be a Halloween classic. The performer matches wits with a ghost in the piano by playing diminished arpeggios, a haunting melody, and a show-stopping cadenza.

From the award-winning musical 'Blood Brothers'. Arranged for SATB Choir and Piano by John Leavitt.

Schwartz / arr. Leavitt

Schwartz / arr. Leavitt

Perfect for concert or showchoir, this dynamic work from the Broadway musical Godspell will clearly be a favorite. The solo part can show off your best singer's voice. A stunning work!

A stirring hymn, important to the Mormon religion but suitable for all denominations, conveys a spirit of faith and praise despite difficult times. This text is originally written by William Clayton,...

You'll need both an excellent pianist and an excellent tenor soloist to undertake this challenging work, but if you do, prepare to wow your audience! This brisk setting of Robert Louis Stevenson's fam...

This Appalachian folk song is a standard among folk, country and blue grass bands. This arrangement takes advantage of the lyrics and uses them like a percussion instrument. Terraced dynamics are used...