John Rutter partituras para coro e instrumentos

Chilcott's four-movement setting of the Latin Gloria will be welcomed by choirs looking for an uplifting and jubilant concert work. It features a driving 'Gloria', a tender yet majestic 'Domine Deus',...

Set of parts for the brass accompaniment to John Rutter's I will worship the Lord.

This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. This set contains the following string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x vc, 1 x db. Both t...

This heart-felt setting was originally included in the popular 'A Garland for Linda', a celebration of the life of the late Linda McCartney. Combining a poignant text adapted from Milton, Shakespeare,...

There are three songs making up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'The Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal tex...

First published in Encores for Choirs 2, this jaunty piece for SATB is an imaginative arrangement of William Walton's 'Popular Song'.

This is a moving arrangement of the familiar passage from the Book of John. Larsen takes an original melody and arranges beautiful harmonies underneath with delicate suspensions. This is a rewarding a...

This gentle anthem, written for the Choir of St Chad's College, Durham, sets a text that is adapted from several prayers of St Chad. Bednall has added movement to this calm and reflective piece throug...

In this spacious motet Jackson creates an original sound-world in praise of the Virgin Mary. Traditional Latin texts are combined with a Christina Rossetti poem celebrating the Annunciation.

Here, Vaughan Williams's arrangement of this well-known carol has been reworked into a setting for SATB chorus with an optional soloist. Offprinted from Vaughan Williams for Choirs 1.

Jane Savage's setting of the famous Christmas hymn 'While shepherds watched their flocks by night' was written for the girls' choir of The Asylum for Female Orphans and published in 1785.

This joyful carol triumphantly proclaims the Christmas message and features changing metres and contrasting textures throughout. This is an offprint from Carols for Choirs 6.

Chilcott sets this text by Tennyson, which describes the feeling of anticipation before the birth of Christ, using a pure and effective melody in the verses, complimented by jubilant refrains of 'Glor...

A setting of the Trinity Sunday text with achingly pure and fluid melodic lines featured throughout, imbuing the piece with characteristic clarity and luminosity. The change to A major for 'Trinitati...

This piece was composed in 1977 and combines Langston Hughes's evocative 'Words like Freedom' with excerpts from three of his other poems. The piece includes significant solos for soprano and baritone...

This show-stopping fughetta is part of John Rutter's 'musical fable' The Reluctant Dragon. Also available in Encores for Choirs. Instrumental material is available on hire.

This witty and enjoyable musical entertainment, based on the book by Kenneth Grahame, is for five soloists, narrator, SATB chorus, and instrumental ensemble. The main roles are written for adult singe...

This pleasingly optimistic anthem was originally published as the fifth movement in the large-scale work The Gift of Life. Arranged here for SAB and piano as in the collection Rutter Anthems for SA an...

The instrumental material is available on hire/rental. A different arrangement, not compatible with the instrumental accompaniment, for SSAA and piano (opt.) is only in Carols for Choirs 4.

Opening with a simplicity and innocence created by the unison theme, this anthem's textures gradually evolve as the other voices make their entries. This German translation of ust as I am is offprinte...

Rutter's piece sets a Japanese translation of the composer's own text that emphasises the significance of music and harmony in an ephemeral world. Alternating unison and polyphonic verses accompanied...

This is a vibrant and rhythmic Christmas carol based on an anonymous 15th-century text. The modal feel and lively rhythms lend this carol a medieval character which will delight singers and audiences...