Jonathan Harvey

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and incl...

Commissioned for the traditional service of Nine Lessons and Carols in King's College Cambridge on Christmas Eve, 1994. Harvey uses words by Bishop Taylor in a beautiful melody sung by one choir, acco...

Written for the choir of Westminster Abbey, Harvey's Missa Brevis is an inspiring piece for any cathedral choir or ambitious mixed-voice ensemble.

This work is for piano and CD. The tape part retunes the piano, so that there are microtonal tensions between the live piano and the tape and a close contrapuntal relationship between the two.

Jonathan Harvey (1939-2012) was a British composer who studied at St Johns, Cambridge and Princeton, and who later taught at various universities and conservatoires across Europe and North America. Hi...

. . . luminously scored and graced by a good deal of glorious vocal writing... Paul Griffiths, The Musical Times, January 1981, Instrumentation: 0000 – 1110 – perc(1): claves/2 susp.cym/vib/2 wdbl/2 s...

Bhakti was written in 1982, to a commission from IRCAM, Paris. It is in twelve short movements totalling about fifty minutes. There are 36 subsections; each one defined by a certain number of instrume...

Instrumentation: 2 players/2 or 3 technicians:Electronic requirements: 1 sampler+keyboard(AkaiS1000) with 11 diskettes/1 harmoniser and reverb for vlc/2 DAT players with 2 DAT tapes/mixer and stereo a...

'Scena' is a quasi-operatic scene either for singer and ensemble or for a singer-like solo instrument and ensemble. In this case the solo violin proceeds through several dramatic events roughly signal...

Jonathan Harvey's The Riot was written for HET TRIO and commissioned by Bristol University Music Department, with funds provided in part by South West Arts, especially for the Colston Symposium 19...

Predominantly hushed and serene, Plainsongs for Peace and Light proved to be Jonathan Harvey's final work. It sees Harvey re-examining the very fundamentals of his craft - superimposing lines of plain...

The text of this work is by Bishop J Cosin, based on Veni Creator Spiritus. The music is based on a pentatonic chord throughout, and reflects the floating rhythms of plainchant.

This unaccompanied motet, written for the choir of St Paul's Cathedral, relates to the three Mary's in Harvey's church opera Passion and Resurrection.

Music set to words translated into English from a poem by Jalal Al-Din Rumi. This piece was commissioned and first performed by the National Youth Choir of Great Britain in Fiji on 23 July 1996.

Remember, O Lord was written to mark the Fiftieth Anniversary of the Coronation of Her Majesty Queen Elizabeth II. Harvey's dark and sonorous tone creates an intense and majestic atmosphere. This piec...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers an...

Against these vivid flashes of joy and colour is set a chant - the Sanskrit of the Heart Sutra - which acts as a ground from which the ‘forms of emptiness' briefly emerge, and against which they...