Judith Weir

For bassoon, with cello. Wake your wild voice was commissioned by the International Double Reed Society for the 2009 IDRS Conference in Birmingham, England. The first performance was given by Meyrick...

Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman, Music Director), with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica V...

Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman, Music Director), with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica V...

The score and parts for Judith Weir 's O Viridissima, scored for Violin, Cello and Piano. The work lasts around 4 minutes, and was written as a gift for the Late Music Concert Series, being first perf...

This is the score for Judith Weir 's Praise Him With Trumpets, a work for 2 Trumpets, SATB Choir and Organ. Commissioned by Historic Royal Palaces in collaboration with The Choral Foundation, the piec...

Commissioned by Wigmore Hall, with the support of Andre Hoffmann, president of the Foundation Hoffmann, a Swiss grant-making foundation. First performance on 29th March 2016 at the Wigmore Hall, Londo...

Commissioned by Wigmore Hall, with the support of Andre Hoffmann, president of the Foundation Hoffmann, a Swiss grant-making foundation. First performance on 29th March 2016 at the Wigmore Hall, Londo...

The Sweet Primroses is a work by Judith Weir for Mezzo-Soprano Voice and Viola. Commissioned by the University of Birmingham for the CrossCurrents Festival 2016, the first performance was in February...

Composed for the Schubert Ensemble's farewell tour and modelled on 'Abschied' from Schubert's Schwanengesang, this four-minute piece gives each player a brief solo before the work's close. A light-hea...

Composed for the Schubert Ensemble's farewell tour and modelled on 'Abschied' from Schubert's Schwanengesang, this four-minute piece gives each player a brief solo before the work's close. A light-hea...

A setting of four poems by Wallace Stevens, Kathleen Jamie, Norman MacCaig and Emily Dickinson for soprano, cello and piano. commissioned by Kings Place, and first performed there on 24th October 2019...

Work for Wind Quintet and Piano.

Work for Chamber Ensemble commissioned for the Fires of London by the St Magnus Festival Society with funds from the Scottish Arts Council.

Winter Song is a 17-minute continuous movement for a small orchestra consisting of 12 winds and aminimum of 24 strings, in which every player is a soloist. This glorious piece was beautifully composed...

For Clarinet and Piano. These pieces were inspired by the life of James Reid, a bagpiper in Prince Charlie's Jacobite army, who was captured by the English in 1746 and executed, after a Judge had clas...

For Various different sizes of Clarinet and Piano.

Work for Mezzo-Soprano and Orchestra. Judith Weir: Much of my non-operatic work for solo voice occupies an area between folk music and cabaret. In 1990 I began a personal project, which is still going...

Work for Orchestra commissioned by the St Magnus Festival with assistance from the Scottish Arts Council.

This short blues commemorates the demolition of St. Agnes Place in Lambeth, South London on 29th November 2005. It was written for Douglas Paterson (viola) and Jane Salmon (cello), who gave the first...

Judith Weir's Sundew for Violin and Cello. Score. ' The bog-based Sundew Plant isn't as pleasant as the name suggests. It produces beads of fluid, resembling dew, but in fact a sticky deposit in which...

Judith Weir's Night is a work for Violin and Cello. Commissioned by Enterprise Music Scotland, 'Night' was written for High Heels and Horse Hair - comprised of Alice Rickards (Violin) and Sonia Cromar...