Leroy Anderson

This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate tr...

This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate tr...

Like Anderson's signature piece Sleigh Ride, Horse and Buggy is another example of his extraordinary ability to sketch a nostalgic scene in sound on a small canvas without a wasted motion. Here, a dif...

Serenata was first performed on May 10, 1947 as an encore at the Boston Pops, with Arthur Fiedler conducting. Fiedler would later praise the piece as among the conductor's favorites. Lyrics were added...

Serenata was first performed on May 10, 1947 as an encore at the Boston Pops, with Arthur Fiedler conducting. Fiedler would later praise the piece as among the conductor's favorites. Lyrics were added...

FORGOTTEN DREAMS se terminó el 28 de mayo de 1954. La primera interpretación tuvo lugar unos días más tarde, el 2 de junio, durante una sesión de grabación para Delta Records en Nueva York, en la que...

Leroy Anderson, siempre popular en la sala de conciertos por sus piezas orquestales ligeras, encontró un gran aliado musical en la Boston Pops Orchestra bajo su director, Arthur Fiedler. Estrenando mu...

Leroy Anderson, siempre popular en la sala de conciertos por sus piezas orquestales ligeras, encontró un gran aliado musical en la Boston Pops Orchestra bajo su director, Arthur Fiedler. Estrenando mu...

Leroy Anderson, siempre muy popular en las salas de conciertos por sus piezas orquestales ligeras, encontró un gran aliado musical en la Boston Pops Orchestra, bajo la dirección de Arthur Fiedler. Al...

La «Suite escocesa» (1954) de Leroy Anderson (1908-1975) constaba originalmente de cuatro movimientos: «The Bluebells of Scotland», «The Campbells Are Coming», «Bonnie Dundee» y «Turn Ye To Me». Aunqu...

La «Suite escocesa» (1954) de Leroy Anderson (1908-1975) constaba originalmente de cuatro movimientos: «The Bluebells of Scotland», «The Campbells Are Coming», «Bonnie Dundee» y «Turn Ye To Me». Aunqu...

One of three Leroy Anderson works depicting horses (the other two being "Sleigh Ride" and "Home Stretch"), this American Pops classic scored for band by the composer is part of the Anderson Classics S...

US-born composer Leroy Anderson is best-known for the original miniatures he composed for the Boston Pops Orchestra. The record with his Blue Tango was the first instrumental recording to sell one mil...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

ENSEMBLE MUSIC is an extensive series for variable ensemble, chamber orchestra and schoolclass. This series is a 5-part arrangement with piano. Part 5 (bass-part) follows the left on the piano and is...

This wonderful march comes with a remarkable history. Originally titled Governor Bradford March, it was written for orchestra in 1948. 50 years later (1998) Tom Everett, director of the Harvard Univer...

Ticonderoga es la única obra que Leroy Anderson compuso exclusivamente para banda, lo que resulta ciertamente extraño dados sus comienzos como director de banda en Harvard. Esbozada por primera vez en...

All of the challenging key signatures and complex rhythms in this Leroy Anderson classic have been removed to accommodate young band players. All that's left is the charming melodies in the charismati...

All of the challenging key signatures and complex rhythms in this Leroy Anderson classic have been removed to accommodate young band players. All that's left is the charming melodies in the charismati...

Robert W. Smith has masterfully transcribed this work for a wider range of performing ensembles just in time for the centennial celebration of Leroy Anderson's birth. With nearly every holiday favorit...