Malcolm Archer

Twenty-Five characteristic pieces

This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative entries in this simple bu...

This is an energetic setting of a medieval text, with a modal feel and lively rhythms. After opening with an unaccompanied melody sung by the sopranos, the music gradually becomes more intricate, culm...

This radiant setting of the popular 'O nata lux' text features sumptuous and sophisticated harmonies and accessible vocal lines. The anthem builds to a central climactic moment followed by a reprise o...

This welcome original setting of the much-loved 15th-century Coventry carol text features a compelling interplay between choir and organ and a contrast of full and a cappella textures. Archer fully ex...

This radiant setting of the popular 'O nata lux' text features sumptuous and sophisticated harmonies and accessible vocal lines. The anthem builds to a central climactic moment followed by a reprise o...

for SATB unaccompanied This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative e...

From the collection Epiphany to All Saints for Choirs, this setting by Malcolm Archer of the familiar text by Prudentius and Caswell provides a fresh alternative version of the hymn. Scored for SATB u...

A uniquely accessible and comprehensive resource for use in church services and concerts throughout the Church's year. The volume's 50 SATB pieces, both accompanied and unaccompanied, are suitable for...

This is an energetic setting of a traditional text, with a memorable tune, attractive sequences, and exciting climax, all in a lilting swing. A version for SATB is also available.

This uplifting anthem combines two well-known texts that are commonly read at weddings. Retaining the flowing organ part of the original SATB version, the music perfectly mirrors the affirmatory texts...

Larsen's take on the famous witches' incantation, 'Double, double, toil and trouble,' from Shakespeare's Macbeth is filled with lurid word-painting and rhythmic tricks.

This arrangement of Masters in this hall is as humorous as it is evocative. Cavagnaro combines faux-gothic harmonies with portamentos in a triumphant carol that would work especially well as an encore...

A new printing and a new cover for this increasingly popular setting for the Latin text. Ideal for school and young people's choirs, and for those churches with SA choirs. Fine melodic vocal writing a...

This is a truly lovely and atmospheric setting for soprano v

For congregation and Choir

A compilation of popular organ pieces for weddings, in simplified arrangements for manuals only.

This powerful anthem was first performed at St Paul's Cathedral, and is dedicated to victims of torture and those working for their release. With expansive melodies which echo between the vocal lines...

This attractive anthem demonstrates Archer's gift for melody and structure. Tuneful and appealing, it can be used at any time within the Church's year but is particularly suitable during Advent and Ea...

This uplifting anthem combines two well-known texts that are commonly read at weddings: 1 Corinthians 13:13 ('And now these three remain: faith, hope, and love. But the greatest of these is love.') an...

This attractive anthem demonstrates Archer's gift for melody and structure. Tuneful and appealing, it can be used at any time within the Church's year but is particularly suitable during Advent and Ea...

Archer's setting of this popular Easter hymn by G. R. Woodward is sparkling with energy, combining the exuberant seventeenth-century Dutch melody with short organ interjections. An exciting addition t...

Twenty-five anthems for mixed voices compiled by Malcolm Archer.

After the Last Verse provides short extemporary pieces which may be used to fill in after the hymn has finished, at moments like the offertory, or when a procession still has a little way to go. Most...