Mario Castelnuovo-Tedesco

The edition by the editor Ragossnig (out of print) has been replaced by the edition by the editors Frédéric Zigante and Gianluca Nicolini (Edition Max ESCHIG DURAND - DF 16456).

In the Two Sonatas for Trumpet and Piano, Mario Castelnuovo-Tedesco combines his composing mastery with didactic purposes. The two works are just as suitable to the concert hall as to music schools an...

The Concerto n. 3 for Violin and Piano, written in 1939 for Jascha Heifetz, was the first work by Castelnuovo-Tedesco after he went on exile to the United States. Unusually, this concerto requires a p...

Mario Castelnuovo-Tedesco's CONCERT No. 2 for violin and orchestra is dedicated to Jascha Heifetz, one of the most important and influential twentieth-century violinists and the first to perform this...

Reprint - Stimmlage: m

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...