Michael Higgins

Higgins's setting of this popular folk song is simple and wistful, particularly well-suited for children's and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently along...

Higgins's setting of this popular folk song is simple and wistful, particularly well-suited for children's and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently along...

In this haunting arrangement of the well-known carol, Higgins creates a mystical soundscape by layering a single motif in a four-part soprano canon. These repetitions echo throughout and support the v...

With a text by Thomas Campion, View me, Lord is a tender prayer characterized by its sensitive text-setting. Each verse features a change in voicing, rhythm, and harmony, while the ever-changing metre...

With a text by Thomas Campion, View me, Lord is a tender prayer characterized by its sensitive text-setting. Each verse features a change in voicing, rhythm, and harmony, while the ever-changing metre...

In this haunting arrangement of the well-known carol, Higgins creates a mystical soundscape by layering a single motif in a four-part soprano canon. These repetitions echo throughout and support the v...

In this sensitive choral arrangement of 'Nimrod' from Elgar's Enigma Variations, Michael Higgins sets the Eucharistic hymn 'O salutaris Hostia', written by St Thomas Aquinas for the Feast of Corpus Ch...

Higgins' setting of this popular folk song is simple and wistful, particularly well-suited for children's and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently alongs...

Originally published in the New Horizons collection The Ivy and the Holly, this carol has a mysterious, other-worldly character that complements the sixteenth-century text attributed to the Wedderburn...

With a text by Eugene Field, Higgins' charming melodies gently rock in compound time and start off in unison before growing into a simple two-part texture. The voices are supported by a busy piano par...

With a text by Eugene Field, Higgins' charming melodies gently rock in compound time and start off in unison before growing into a simple two-part texture. The voices are supported by a busy piano par...

Higgins's setting explores the vibrant, natural imagery in Rossetti's text with flowing melodic lines and warm harmonies. The elegant piano accompaniment is characterised throughout by quick demisemiq...

Higgins's setting explores the vibrant, natural imagery in Rossetti's text with flowing melodic lines and warm harmonies. The elegant piano accompaniment is characterised throughout by quick demisemiq...

El arreglo de Michael Higgins de How can I keep from singing? es una reimaginación tranquila y fluida de la conocida melodía de Robert Lowry. El acompañamiento de piano, armónicamente rico, apoya al c...

Michael Higgins's gentle setting of the traditional Gaelic Blessing has a memorable melody, a flowing piano part, and a beautiful, soaring soprano descant in the second verse. Written for the National...

Higgins's arrangement of Away in a manger is beautiful and delicate. The first verse is taken by unison upper voices; the second is a cappella, with a soloist (or small group) on the melody accompanie...

Higgins's arrangement of Away in a manger is beautiful and delicate. The first verse is taken by unison upper voices; the second is a cappella, with a soloist (or small group) on the melody accompanie...

Michael Higgins's gentle setting of the traditional Gaelic Blessing has a memorable melody, a flowing piano part, and a beautiful, soaring soprano descant in the second verse. Written for the National...

This is a substantial setting of the canticles of Mary and Simeon, suitable for use in both concert and liturgical settings. Notably, the choir is accompanied by piano and organ, a combination that re...

From the collection As you sing, 'Hope is the thing with feathers' is a warmly uplifting secular concert work by Michael Higgins, setting the well-known poem by Emily Dickinson. Scored for upper voice...

Chilcott sets the melody of this traditional American spiritual against a whispered accompaniment in the lower parts. Richly scored for voices, this classic arrangement creates an atmosphere of magica...

Higgins's arrangements of three North-American traditional songs are sophisticated and beautiful, supported by well-crafted piano accompaniments. The first, 'Bright morning stars', is illuminated by a...

Higgins's arrangements of three North-American traditional songs are sophisticated and beautiful. 'Bright morning stars', 'Little wheel a-turnin'', and 'He's gone away' are set in a characterful way,...

Michael Higgins' arrangement of How can I keep from singing? is a calm and flowing reimagination of Robert Lowry's well-known melody. Flexibly arranged, with options for an unaccompanied section and d...

Higgins's arrangement of 'Away in a manger' is beautiful and delicate. The first verse is taken by unison voices; the second is a cappella, with an optional soloist or small group and sustained 'ooh's...