Nadia Boulanger

Descended from a long line of musicians, Nadia Boulanger (1887-1979) was the personification of music in the eyes of her contemporaries; but her work as a composer was for a long time overshadowed by...

Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ, her skill as a conductor (of vocal ensemble and orchestra) and most of all, her incredible charisma as a...

Trois Improvisations (3 Improvisations; Trois Pièces) for Organ was written by Nadia Boulanger (1887-1979) in 1911 for inclusion in an anthology of organ music by various composers. "The first piece,...

Score for Medium Voice, Violin, Cello, Harp and Organ.

Parte del repertorio más elegante para violonchelo fue escrito por compositores franceses. Con lirismo y encanto a partes iguales, estas siete bellas melodías para solo son un regalo de los destacados...

The first of acclaimed composer and teacher Nadia Boulanger's 3 Pieces for Cello and Piano.

Nadia Boulanger compuso esta colección de siete canciones en 1915, entre ellas "Puestas de sol", "Elegía", "Oración", "Himno", "Versalles", "Canción" y "Tarde de invierno".

Over a century since its first performance, Fauré's Requiem continues to be a favourite within the classical music repertoire. This edition provides a clearly printed, SATB vocal score, including solo...

A student of Gabriel Fauré and Louis Verne at the Paris Conservatoire, Nadia Boulanger (1887-1979) owes her aura to an exceptional teaching career spanning nearly 75 years, during which she trained th...

Third volume of original hitherto unpublished songs by Nadia Boulanger for medium voice and piano (Extase, Aubade, Allons voir sur le lac d'argent, Écoutez la chanson bien douce, Ilda, Mon cœur, Mon â...

June 1914. Nadia Boulanger is at the height of her composing career, which she pursues alongside her other musical activities - concert performance and teaching - though only a few years later, she wi...

Originalmente escrita para órgano, Nadia Boulanger transcribió esta pieza para violonchelo y piano en 1914. La primera pieza, Moderato, tiene un aire misterioso. La segunda pieza es un lamento apacibl...

Tenor und Klavier.