Niccolò Paganini

Bis auf die Einleitung hat die Gitarre reine Begleitfunktion. Die Solostimme ist mit Trillern, Arpeggien, Doppel-, Dreifach- und Viefachgriffen durchsetzt und verlangt einige Virtuosität, ist aber den...

Paganini's Caprice No. 24 (originally for violin) is the famous theme and variations on which countless composers have written their own 'Paganini Variations.' When Jasmine Choi recorded her first ada...

Composed as the rondo finale of Paganini's Violin Concerto No. 2; La Campanella quickly took on a life of its own; being quoted by other composers in their own works even during the composer's lifetim...

Marina Piccinini's new arrangements of the Caprices remain true to Paganini's uncompromising artistic vision and showcase an array of challenging techniques that idiomatically exploit the unique tone...

The virtuoso violin is leading the ensemble in all movements while the other parts share the accompaniment among them. This composition requires an outstanding violin player - knowing Paganini, this d...

Caprice Nr. 24 op. 1 -Thema und 6 Variationen Heinz Bethmann hat die Caprice Nr. 24 aus op. 1 für Klarinette bearbeitet und dazu sechs Variationen komponiert. Heinz Bethmann widmet sich seit seinem R...

Inhalt: Direktion und Einzelstimmen Violine 1 + 2, Viola, Violoncello

Paganini's three string quartets which are his only compositions using the classical string quartet orchestration, were presumably written between 1815 and 1818. As a part of his catalogue of chamber-...

Los 24 "Capricci" de Paganini forman un grupo coherente de obras que exigen el máximo nivel técnico. Esta edición crítico-académica se basa en el autógrafo y en las primeras impresiones de varios edit...