Norbert Müllemann

Fréderic Chopin's stay with George Sand on Mallorca in the winter 1838/1839 was ill-fated. Yet Chopin still managed to finish his 'Préludes” there which he had begun to compose in Paris. Today's inter...

In 1836 Chopin introduced the term 'ballad' into piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music. Indeed, all four of...

Chopin gave the 'scherzo' a character all of its own, and his second Scherzo is probably the best known of the four works that he composed in that genre. In contrast to the first Scherzo, which surviv...

One of the answers found by Schönberg's circle to the question about how musical processes could be shaped without a tonal context was in the extreme streamlining of the form. With Schönberg's Six Lit...

The stories surrounding Frédéric Chopin's winter holiday on Mallorca with George Sand in 1838/39 are widely known. It was there, in adverse conditions, that Chopin completed his 'Préludes' op. 28 whic...

Chopin left behind only a few works in the main form of the classical era, the sonata - of these, the Piano Sonata op. 58 certainly numbers among his most important. Formally, it is more conventionall...

Chopin's early works include a wealth of new stimuli for anyone wishing to take a closer look at the creative works of the Polish genius. Up to now the four Rondos have been missing from our catalogue...

Frédéric Chopin's 4 Scherzi are high points in the Romantic piano repertoire. Chopin here takes a traditional genre and fills it with radically new content. They are wild, demonic in tone, and there i...

Schönberg’s publisher Emil Hertzka provided the impetus for composition of the Piano Piece op. 33a in 1928. In fact, he had merely asked for permission to print an older work in the collection Musik d...

One of Chopin's most radical compositions, the B minor Scherzo leaves hardly any listener untouched. The wild main section, interspersed with brutal dissonances, frames the intimate trio, in which Cho...

Chopin's Scherzo no. 3 was connected to his legendary winter in Mallorca in 1838/39, as were his Préludes op. 28. On 22 January 1839, the composer sent the autograph of the latter work to Camille Pley...

Chopin published his Scherzi nos. 1-3 at more-or-less regular intervals, in 1835, 1837 and 1840 - almost as if he'd planned them in advance. He published his fourth and final work in this genre after...

Bach's harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...

It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed f...

It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed f...

In 1836 Chopin introduced the term 'ballad' into piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music. Indeed, all four of...

Fréderic Chopin's stay with George Sand on Mallorca in the winter 1838/1839 was ill-fated. Yet Chopin still managed to finish his 'Préludes” there which he had begun to compose in Paris. Today's inter...

Chopin's early works include a wealth of new stimuli for anyone wishing to take a closer look at the creative works of the Polish genius. Up to now the four Rondos have been missing from our catalogue...

Frédéric Chopin's 4 Scherzi are high points in the Romantic piano repertoire. Chopin here takes a traditional genre and fills it with radically new content. They are wild, demonic in tone, and there i...

When Chopin left with George Sand for his oft-cited winter sojourn on Mallorca in autumn 1838, he also took his second ballade with him, which was not yet finished. Chopin's health and other unfavoura...

Chopin was probably the first to apply the word 'ballade' to music', Robert Schumann once wrote. He and his contemporaries were only familiar with the term 'ballad' as a literary generic concept. Poem...

With this poetic masterpiece all four of the recently revised 'Ballades” (HN 862) are now available as single editions. Following a restrained opening in C major and the first dreamy sounds of the the...

The early Piano Sonata op. 4 offers interesting insights into the young Chopin's compositional development. In all probability written during his student years at the Warsaw Conservatory and highly pr...

Along with the beautiful facsimile edition of the autograph score to be published on the occasion of the 200th anniversary of Frédéric Chopin's birth (HN 3221), we are also publishing a completely rev...

Reicha published a total of 24 wind quintets for the 'classical' scoring of flute, oboe, clarinet, horn and bassoon; op. 88 no. 2 is one of the best-loved and most played. 'If it were possible to surp...