Oscar van Hemel

The four parts of this composition are not programmatically tied to, or created from, any literary or pictorial data. They are four contrasts. The 1st movement Maestoso is alternately stately and expr...

The four parts of this composition are not programmatically tied to, or created from, any literary or pictorial data. They are four contrasts. The 1st movement Maestoso is alternately stately and expr...

Drieluik is one of the pearls in the repertoire, which is specifically written for wind band. It is an interesting piece in a contemporary idiom that was written ahead of its time (1969). This is a re...

Drieluik is one of the pearls in the repertoire, which is specifically written for wind band. It is an interesting piece in a contemporary idiom that was written ahead of its time (1969). This is a re...

The four parts of this composition are not programmatically tied to, or created from, any literary or pictorial data. They are four contrasts. The 1st movement Maestoso is alternately stately and expr...

The four parts of this composition are not programmatically tied to, or created from, any literary or pictorial data. They are four contrasts. The 1st movement Maestoso is alternately stately and expr...

Drieluik is one of the pearls in the repertoire, which is specifically written for wind band. It is an interesting piece in a contemporary idiom that was written ahead of its time (1969). This is a re...

Drieluik is one of the pearls in the repertoire, which is specifically written for wind band. It is an interesting piece in a contemporary idiom that was written ahead of its time (1969). This is a re...