Pascal Denécheau

El ballet "Les Fêtes d'Hébé" trata de los talentos que suelen tematizarse en la Ópera y ponerse al servicio del amor en escena: la poesía y la declamación (1ª entrada, "La Poésie"), el arte del canto...

La ópera Naïs, estrenada en la Académie royale del Palais-Royal de París el 22 de abril de 1749 para celebrar la firma de la llamada Paz de Aquisgrán y reestrenada en agosto de 1764, poco antes de la...

> Baroque opera in honour of the conciliation of Europe on the occasion of the Treaty of Aachen > First practical performing edition with a keyboard reduction > Based on the complete edition Opera Omn...

> Baroque opera in honour of the conciliation of Europe on the occasion of the Treaty of Aachen > First practical performing edition with a keyboard reduction > Based on the complete edition Opera Omn...

> Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites > Based on the first scholarly-critical edit...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

Les Fêtes d'Hébé or "Les Talents Lyriques" (1739) belong to the highly opulent ballet opera genre, which was only common in 18th century courtly France. Rameau's "Indes Galantes" (1735) is often consi...

Les Fêtes d'Hébé o "Les Talents Lyriques" (1739) pertenecen al opulento género de la ópera ballet, que sólo era habitual en la Francia cortesana del siglo XVIII. Las "Indes Galantes" (1735) de Rameau...