Patrick M. Liebergen

From Mozart's Missa Brevis In F, Patrick Liebergen brings us this very performable edition. Wonderful ensemble sounds abound and the accompaniment provides active support.

From Mozart's Missa Brevis In F, Patrick Liebergen brings us this very performable edition. Wonderful ensemble sounds abound and the accompaniment provides active support.

A fine antiphonal masterwork for today's mixed choirs. May be performed by one choir with any of the following performing the antiphonal choir part: a second choir, a small group of voices, brass or s...

This lesser-known Masterwork is refashioned for optimal flexibility in a joyful offering. Alive with an exuberant classical style, the octavo includes a dual text for both Palm Sunday and Easter celeb...

This lesser-known Masterwork is refashioned for optimal flexibility in a joyful offering. Alive with an exuberant classical style, the octavo includes a dual text for both Palm Sunday and Easter celeb...

Now available in SAB and SSA voicings, this exuberant Schubert piece begins with joyous acclamations in the opening measures, polyphonic writing and a lyrical presentation of the amens then followed b...

Now available in SAB and SSA voicings, this exuberant Schubert piece begins with joyous acclamations in the opening measures, polyphonic writing and a lyrical presentation of the amens then followed b...

From Magnificat by Giovanni Battista Pergolesi, this canticle of the Blessed Virgin Mary text is wonderfully set. Carefully edited by Patrick Liebergen, this piece is excellent for advanced SATB group...

Originally scored for SSATB voices and instruments, this new edition for SATB voices uses a very supportive keyboard accompaniment. Based on Psalm 70, Pergolisi wrote it for the feast day of Saint Emi...

Originally scored for SSATB voices and instruments, this new edition for SATB voices uses a very supportive keyboard accompaniment. Based on Psalm 70, Pergolisi wrote it for the feast day of Saint Emi...

Taken from Mozart's Missa Solemnis, K. 337, this mass was Mozart's last completed work in this form. Modern clefs, metronomic and dynamic indications and an English version of the original Latin text...

Franz Joseph Haydn's Little Organ Mass is a departure from the larger, more fully orchestrated works of the 18th century. Written to be performed in a small chapel, this meditative setting is appropri...

Franz Joseph Haydn's Little Organ Mass is a departure from the larger, more fully orchestrated works of the 18th century. Written to be performed in a small chapel, this meditative setting is appropri...

From the Mozart Missa Brevis K. 258, this movement features a maestoso opening moving to the lively hosanna. The keyboard reduction of the original instrumentation works well to support the vocals. Id...

Repeated passages and excellent voice-leading make this a perfect introduction to the music of Salzburg and Michael Haydn.

Patrick Liebergen's original text is paired with a tune based on The King of Love My Shepherd Is and makes for a heartening musical setting for communion or call to worship. Duration: ca. 2:50.

This piece is a joyous and exuberant chorus from Antonio Vivaldi's Domine ad adjuvandum me festina, a polychoral motet based on Psalm 69. Originally scored for two choirs, this edition by Patrick Lie...

This is the opening portion of Franz Schubert's Gloria from his Mass No. 1 in F Major, D 105 that he wrote as a very young man. Patrick provides an accessible piano accompaniment helping to support si...

This is the opening portion of Franz Schubert's Gloria from his Mass No. 1 in F Major, D 105 that he wrote as a very young man. Patrick provides an accessible piano accompaniment helping to support si...

Uses: Easter, Eastertide Scripture: Matthew 28:1-10 - Luke 24:1-12 Based on a theme from Mozart, this animated anthem for Easter is ideal for choirs looking for an elegant traditional opener. Well-cra...

Uses: Easter, Eastertide Scripture: Matthew 28:1-10 - Luke 24:1-12 Based on a theme from Mozart, this animated anthem for Easter is ideal for choirs looking for an elegant traditional opener. Well-cra...

Written when he was eighteen years old, Schubert's only setting of the Magnificat text is arranged here for mixed voices and piano. This exuberant piece begins with joyous acclamations in the opening...

Written when he was eighteen years old, Schubert's only setting of the Magnificat text is arranged here for mixed voices and piano. This exuberant piece begins with joyous acclamations in the opening...

A recorder method for children. This method is designed to be used by people who know nothing or very little about music and cannot read notation.

A recorder method for children. This method is designed to be used by people who know nothing or very little about music and cannot read notation.